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While looking at Jean-Antoine Houdon’s portrait bust of Voltaire in the Louvre, sculptor Auguste Rodin remarked, “To tell the truth, there is no artistic work that requires as much penetrating insight as the bust and the portrait. … Such a work is the equivalent of a biography.” On a separate occasion, Rodin stated, “The resemblance that [the artist] should achieve is that of the soul. Only this matters.” A new, full-scale reinstallation at the Rodin Museum in Philadelphia, Pennsylvania, focuses on Rodin putting those words into practice in his own portrait busts. Known for his large-scale, full-bodied works such as The Kiss, Rodin imbued an equal amount of passion into his symbolic, soulful portraits of friends, lovers, and the famous.
Your first philosophers: Marcus Aurelius, Epictetus, Seneca, and one strange new face. Why the first books people read about Stoicism should be by one of these guys. On Stoicism Graduation season […]
In Three War Stories, David Mamet explores redemption and forgiveness in the context of conflict. In The Redwing, excerpted here, a 19th Century Secret Service naval officer recounts his own transformations during the course of his service and imprisonment.