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Smarts Don’t Guarantee Success. Only a Hunger to Win Can. Take it from a 19-year-old college graduate. Brandon Adams says that most poker players, like financial traders, have sharply analytical […]
Now that New Horizons has flown by the Plutonian system, can it be considered a planet after all? “Words are the source of misunderstandings.” –Antoine de Saint-Exupéry Back in 1930, […]
The standard line against painter John Singer Sargent goes like this: a very good painter of incredible technique, but little substance who flattered the rich and famous with decadently beautiful portraiture — a Victorian Andrea del Sarto of sorts whose reach rarely exceeded his considerable artistic grasp. A new exhibition of Sargent’s work and the accompanying catalogues argue that he was much more than a painter of pretty faces. Instead, the exhibition Sargent: Portraits of Artists and Friends and catalogues challenge us to see Sargent’s omnivorous mind, which swallowed up nascent modernist movements not just in painting, but also in literature, music, and theater. Sargent the omnivore’s dilemma thus lies in being too many things at once and tasking us to multitask with him.