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“When I think of art, I think of beauty. Beauty is the mystery of life,” minimalist artist Agnes Martin once explained. “It is not in the eye; it is in my mind. In our minds there is awareness of perfection.” In the first comprehensive survey of her art at the Tate Modern, in London, England, the exhibition Agnes Martin strives to guide viewers to that “awareness of perfection” Martin strove to embody in her minimalist, geometrically founded art. Rather than the cold, person-less brand of modernist minimalism, Martin’s work personifies the warm humanity of Buddhist editing down to essentials. At the same time, surveying Martin’s art and thinking allows us to revisit the feminist critiques of minimalism and shows how Martin’s stepping back from the bustle of the New York art scene freed her to find “a beautiful mind” — not just for women, but for everyone.