Skip to content

All Articles


If Flannery O’Connor somehow birthed the love child of Sid Vicious, she might end up sounding like novelist Nell Zink. Equal parts Southern Gothic’s grotesquely twisted charm and punk and alternative music’s insiderish anti-establishmentism, Zink’s second novel Mislaid will disorient you until you let it delight you. Zink’s mix — which I’ll call Southern Gothic Punk — might be an acquired taste, but a taste well worth experiencing if only to break out of the contemporary rut of MFA-programed, sound-alike fiction that’s become the bubblegum pop of today’s literature.
It’s subtle and pernicious as hell how this happens. How we transform something that’s supposed to make us more open and balanced into a shiny new prison of things, jargon, and obligations.
The word “rational” needs to be rescued. Tom Stoppard’s new play shows that a major rational parable, the Prisoner’s Dilemma, is widely misinterpreted. Seeing why “rationalists” do worse than Christians can help us avoid losing in evolution’s “negative telos” games.