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More than 20 years ago, the sitcom Seinfeld went “meta” and joked that it was “a show about nothing.” But 20 years before George Costanza’s epiphany, artist Richard Tuttle was staging shows about nothing featuring works such as Wire Piece (detail shown above) — a piece of florist wire nailed at either end to a wall marked with a penciled line. But, as Jerry concludes, there’s “something” in that “nothing.” A new retrospective of Tuttle’s art at the Fabric Workshop and Museum in Philadelphia, Both/And: Richard Tuttle Print and Cloth, dives into the depths, and widths, of this difficultly philosophical, yet compellingly simple artist who takes the everyday nothings of line, paper, and cloth to create extraordinary statements about the need to be mindful of the artful world all around us.
The highest high tides occur once every 18 years, and can lead to surprising floods. Here’s the science behind them. “But less intelligible still was the flood that was caused […]
New word tools can sometimes avoid old confusions. Let’s use “praxotype,” “cognotype,” and “technomorphic” to see human nature more accurately. Especially to see that we’re the least genetically constrained species ever.