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Technology & Innovation
Big Think+
PURPOSE: Set Goals, with John Amaechi In this lesson from Big Think+, NBA basketball player John Amaechi shares with you the plan he created as a child to help him […]
Culture & Religion
“Starf@#king”?: Björk at the MoMA
It’s hard to remember a major show at a major American museum generating so much angst as Björk at The Museum of Modern Art, New York. Some arts sites quickly began aggregating art critics’ aggravation over almost every detail of the show. What began as art criticism evolved into a media lynching of the MoMA, American museums, and pandering-to-the-public curators (in this case, Klaus Biesenbach). New York art world critics, and husband-and-wife team, Jerry Saltz and Roberta Smith hated the show in different ways, but both connected to their love of Björk and her music. ArtNews’ M.H. Miller wins the poison pen prize, however, for coining the new critical term “starf@#king” to describe the MoMA’s treatment of Björk as much as its treatment of the viewing public. The question of whether Björk is good or not might really be a question of what Björk is really about.
Politics & Current Affairs
JFK: The Opera?
Whereas European countries were once able to tap into their history for subjects for opera, America’s never succeeded in doing the same. That problem comes in part from the decline in opera as a popular, public art form, but also perhaps from the lack of operatically epic subjects to be found in American history. Now, composer David T. Little hopes to create a modern American opera with JFK, a 2-act, 2-hour opera focusing on the life of President John F. Kennedy, whose life and death became defining moments not only for the Baby Boom generation, but also, many would suggest, the hinge upon which all American history turns for the last half century. Set to premier in 2016, JFK as a work-in-progress already raises important questions about how opera (and art in general) can approach history.