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If the question of life or death resides in the hands of a deity, then the death penalty is a sin against that god. Yet if it’s in our own hands, a woman deciding whether or not to bring a child forth should not be made to feel guilty, or worse, that she herself has sinned.
Comparing “astronaut” to “cowboy” ethics can show that Locke’s limits on liberty need to be revised. We once could see that pitting self-interest against collective self-preservation wasn’t rational. Me-opic and logically unworkable ideas that economics sometimes encourage have made that harder to see.   
If you knew nothing, Jon Snow, here’s what it’s doing in five simple steps. “Let them see that their words can cut you and you’ll never be free of the […]
American Impressionism’s often been seen as a pale copy of the French Impressionism that flowered in the late 19th century. Although American Impressionists early on copied their French counterparts (and even made pilgrimages to Monet’s Giverny garden and home), the exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920, at the Pennsylvania Academy of the Fine Arts through May 24, 2015, proves that American Impressionism quickly blossomed into something distinct—and distinctly American—by the turn of the 20th century. Capturing aesthetically a moment of contradictions as American nativism threatened to close borders while women’s suffrage struggled to open doors, The Artist’s Garden demonstrates the power of flowers to speak volumes about the American past, and present.