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While looking at Jean-Antoine Houdon’s portrait bust of Voltaire in the Louvre, sculptor Auguste Rodin remarked, “To tell the truth, there is no artistic work that requires as much penetrating insight as the bust and the portrait. … Such a work is the equivalent of a biography.” On a separate occasion, Rodin stated, “The resemblance that [the artist] should achieve is that of the soul. Only this matters.” A new, full-scale reinstallation at the Rodin Museum in Philadelphia, Pennsylvania, focuses on Rodin putting those words into practice in his own portrait busts. Known for his large-scale, full-bodied works such as The Kiss, Rodin imbued an equal amount of passion into his symbolic, soulful portraits of friends, lovers, and the famous.
It’s only a matter of time before another star has a close encounter with our Solar System. How long do we have? “From an incandescent mass we have originated, and […]
One day while walking through Rutgers’ Quad Two on the way to the gym, I noticed my friend Shelton across the lawn. As he bounced along the sidewalk—he was in […]
Nudges, “choice architecture,” social marketing and other non-rational approaches to government are a pretty significant development. After all, these policies replace explicit arguments (“you should get more exercise for these […]