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Moral sciences are back. Natural laws of ethics, envisioned early in the Enlightenment, can now be objectively studied. Game Theory is reteaching scientists and “rationalists” old wisdoms, while suggesting a “Golden Punishment Rule,” and a Naturalistic Fallacy reform (via “negative telos”).
Lessons from the Universe whenever a light goes out. “End? No, the journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain […]
Ever since American Commodore Matthew C. Perry sailed into Uraga Harbor near Edo (the earlier name for Tokyo) on July 8, 1853, ending the isolationist policy of sakoku and “opening” (willingly or not) Japan to the West, “the Land of the Rising Sun” and its culture have fascinated Westerners. Yet, despite this fascination, true understanding of that history remains elusive. A new exhibition at the Philadelphia Museum of Art, Ink and Gold: Art of the Kano builds a cultural bridge for Westerners to Japan’s heritage through the art of the “Kano School,” a family of painters to the powerful who influenced all of Japanese art from the 15th to the late 19th century. Combining the sumptuousness of golden artworks with the compelling story of their makers, Ink and Gold: Art of the Kano offers the key to unlocking the mystery of Japan through the art of the Kano.
“There is an urge and rage in people to destroy, to kill, to murder, and until all mankind, without exception, undergoes a great change, wars will be waged; everything that has been built up, cultivated and grown, will be destroyed and disfigured, after which mankind will have to begin all over again.”