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“When I think of art, I think of beauty. Beauty is the mystery of life,” minimalist artist Agnes Martin once explained. “It is not in the eye; it is in my mind. In our minds there is awareness of perfection.” In the first comprehensive survey of her art at the Tate Modern, in London, England, the exhibition Agnes Martin strives to guide viewers to that “awareness of perfection” Martin strove to embody in her minimalist, geometrically founded art. Rather than the cold, person-less brand of modernist minimalism, Martin’s work personifies the warm humanity of Buddhist editing down to essentials. At the same time, surveying Martin’s art and thinking allows us to revisit the feminist critiques of minimalism and shows how Martin’s stepping back from the bustle of the New York art scene freed her to find “a beautiful mind” — not just for women, but for everyone.
The standard line against painter John Singer Sargent goes like this: a very good painter of incredible technique, but little substance who flattered the rich and famous with decadently beautiful portraiture — a Victorian Andrea del Sarto of sorts whose reach rarely exceeded his considerable artistic grasp. A new exhibition of Sargent’s work and the accompanying catalogues argue that he was much more than a painter of pretty faces. Instead, the exhibition Sargent: Portraits of Artists and Friends and catalogues challenge us to see Sargent’s omnivorous mind, which swallowed up nascent modernist movements not just in painting, but also in literature, music, and theater. Sargent the omnivore’s dilemma thus lies in being too many things at once and tasking us to multitask with him.
“If you love someone,” pop star Stingsang years ago, “set them free.” Sometimes the first rule of love is forgetting all the rules that constrain the object of one’s affection, […]
According to a Pew Research study, if you count people who change from one type of Protestantism to another, “44% of American adults have either switched religious affiliation, moved from […]
Edinburgh is the “grey metropolis in the North.” It has been for centuries, and thanks to Unesco, the capital of Scotland will keep its dour exterior for the foreseeable future. […]
What is Punk? Punk isn’t about mohawks or studded leather, says Henry Rollins – it’s about resistance to tyranny in any form. How Art Can Change Society, with Sarah Lewis Sarah […]
Nobody goes to a baseball game to watch the umpires, so why would someone go to a museum to see an exhibition dedicated to an art critic—one of those arbiters […]