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What the world’s most powerful collider found, and may yet still find. “Innovation is taking two things that already exist and putting them together in a new way.” –Tom Freston […]
A hybrid potato that can reduce food waste and eliminate a suspected carcinogen in cooked potato products would seem to be an environmentalist’s dream. But the hybrid was created using biotechnology to blend potato genes from different varieties, so opponents of genetically modified food are fighting to keep this potentially beneficial product from ever reaching consumers.
On October 3, 1948, at 3:50 pm, Peter Blume finished his epic painting, years in the making, titled The Rock (shown above). “After a turbulent decade in which Peter Blume embarked on false starts, endured debilitating anxiety, experienced self-doubt, and found his faith in the creative process renewed,” Robert Cozzolino writes in the catalog to the new exhibition Peter Blume: Nature and Metamorphosis, finishing The Rock must have been a great relief. Blume recorded that date and time the way many record the birth of their children, for The Rock was his precious baby, but completing it marked a rebirth of sorts for Blume as a different kind of artist. Shaped by political and artistic currents of the first half of the 20th century, Blume emerges as a difficult to categorize artist, but also as a fascinating visionary who struggled to paint a personal reality clinging to the foundation of hope.
It might not sound impressive, but the physics behind it — and the power of its applications — are literally world-changing. Image credit: Orphek LEDs, via http://orphek.com/about/aquarium-led-lighting/. “Everyone must leave something behind when he […]
As more of our professional and pleasurable reading shifts to screens, the way in which we read is changing. And while technology is not exactly eating away at our brains, it is causing us to read less deeply.
If Mona Lisa is the smile, Madame Cézanne is the scowl. Hortense Fiquet, Paul Cézanne’s model turned mistress turned mother of his child turned metaphorical millstone around his neck, endures as a standard art history punch line—the muse whose misery won immortality through the many masterpiece portraits done of her. Or at least that’s how the joke usually goes. The Metropolitan Museum of Art’s current exhibition Madame Cézanne, which gathers together 24 of the 29 known portraits Cézanne painted of Hortense over a period of more than 20 years, tries to rewrite that joke as it hopes to solve the riddle of Madame Cézanne, aka, The Case of the Miserable Muse.
The flood of images of violence and unrest continues to flow from Ferguson, Missouri, in the wake of the shooting death of Michael Brown on August 9, 2014. (See one […]