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Saw “Solar System Questions” by xkcd? Here’s what science thinks it knows. “Put two ships in the open sea, without wind or tide, and, at last, they will come together. […]
The highest high tides occur once every 18 years, and can lead to surprising floods. Here’s the science behind them. “But less intelligible still was the flood that was caused […]
A day after forecasters unanimously predicted a snowstorm of epic proportions for New York City, and the mayor ordered eight million people to stay off the roads, the predictions failed to materialize. The city received inches of snow rather than the feet predicted. A good thing, to be sure, but how did such dire predictions miss the mark?  
It’s hard to remember a major show at a major American museum generating so much angst as Björk at The Museum of Modern Art, New York. Some arts sites quickly began aggregating art critics’ aggravation over almost every detail of the show. What began as art criticism evolved into a media lynching of the MoMA, American museums, and pandering-to-the-public curators (in this case, Klaus Biesenbach). New York art world critics, and husband-and-wife team, Jerry Saltz and Roberta Smith hated the show in different ways, but both connected to their love of Björk and her music. ArtNews’ M.H. Miller wins the poison pen prize, however, for coining the new critical term “starf@#king” to describe the MoMA’s treatment of Björk as much as its treatment of the viewing public. The question of whether Björk is good or not might really be a question of what Björk is really about.