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“Envy is a really stupid sin because it’s the only one you could never possibly have any fun at. There’s a lot of pain and no fun. Why would you […]
New word tools can sometimes avoid old confusions. Let’s use “praxotype,” “cognotype,” and “technomorphic” to see human nature more accurately. Especially to see that we’re the least genetically constrained species ever.
Few American cultural institutions stared as deep into the yawning, austerity-driven abyss of large-scale deaccessioning as The Detroit Institute of Arts. When the City of Detroit declared bankruptcy in 2013, vulturous creditors circled the DIA’s collection, estimated worth (depending on the estimator) of $400 million to over $800 million. Some experts see signs of a Detroit comeback, however, but one very visible sign is the new DIA exhibition Diego Rivera and Frida Kahlo in Detroit, a showcase of the city’s ties to Mexican artists Frida Kahlo and Diego Rivera as well as a tribute to Kahlo’s and Rivera’s own artistic comebacks. Few exhibitions truly capture the spirit of a city at a critical moment in its history, but Diego Rivera and Frida Kahlo in Detroit is a show of comebacks that will have you coming back for more.