It’s been spectacularly confirmed by observation, but theoretically, it couldn’t have been any other way. If the Sun were to spontaneously cease emitting light, we wouldn’t know about it for about […]
It’s been over 100 years since Einstein, and over 300 since Newton. We’ve still got a long way to go. From measuring how objects fall on Earth to observing the motion […]
If spacetime is like a fabric, and mass bends it, what flattens it back out again? Matter tells space how to curve, and curved space tells matter how to move. That’s […]
Several investigations have looked into the Taos hum. One scientist believes he has the most likely culprit.
Even though there is no ramification for being rude or cold to AI, we may have a tendency to display gratitude. Why? An interview with the founder of x.ai, Dennis Mortensen.
Most amusement parks like Disney and Six Flags pride themselves on being family friendly attractions. These parks do not.
Half a millennium later, you would think the Italian Renaissance could hold no more secrets from us, no “codes” to decipher. And, yet, secrets hiding in plain sight continue to startle modern audiences with the depth and breadth of that amazing era. One of the well-kept secrets, at least until now, was the work of Piero di Cosimo, subject of his first major retrospective, Piero di Cosimo: The Poetry of Painting in Renaissance Florence at the National Gallery of Art, Washington, DC. Called “a madman” for his personal and artistic quirks by Renaissance chronicler Giorgio Vasari, Piero’s ability to paint in multiple genres all with a dizzying amount of detail may have seemed madness to contemporaries, but appeals to modern audiences conditioned for such visual assaults. There may have been a method to Piero di Cosimo’s madness after all.
“[I]t was here that I found a scene that did not exist elsewhere. I suppose I was like a child in a sweet shop. The California beach was like heaven,” […]
Read ’em and weep. Or just add your own ideas at the bottom of this post. 1. Julian Schnabel. Bombastic, prolific, self-promotional, and grandiose, Schnabelwas the ethos of 1980’s NYC writ large […]
Modern art takes itself much too seriously. Even the Pop artists often took the fun out of whatever they touched—a reverse Midas touch rendering even comedy gold into dross. Andy […]
Here are my top 10 2008 K12 Online Conference podcasts for busy principals and superintendents (in no particular order). These are the K12 Online presentations that I think are most likely to interest, […]
A student asked Wire creator David Simon whether he saw any hopeful signs for the younger generation…. [Photo credits: “Correction,” great catch by Dennis G. of Balloon Juice, David Simon […]