Skip to content

Search Results

You searched for: immigration

Who will care for you in old age? Given dramatically lower fertility rates and population aging, combined with the high cost of caregiving, the future of eldercare and senior housing may be in for a big change. Can you imagine a future where robots provide care to older adults? Whether you think it cool, or creepy, the future may begin on July 17th when the Henn-na Hotel in Japan opens with a mostly robotic staff — is senior housing next?
American Impressionism’s often been seen as a pale copy of the French Impressionism that flowered in the late 19th century. Although American Impressionists early on copied their French counterparts (and even made pilgrimages to Monet’s Giverny garden and home), the exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920, at the Pennsylvania Academy of the Fine Arts through May 24, 2015, proves that American Impressionism quickly blossomed into something distinct—and distinctly American—by the turn of the 20th century. Capturing aesthetically a moment of contradictions as American nativism threatened to close borders while women’s suffrage struggled to open doors, The Artist’s Garden demonstrates the power of flowers to speak volumes about the American past, and present.
Cinco de Mayo is not, as many Americans assume, Mexico’s Independence Day. It’s not even an important holiday south of the border. Instead, its modern roots can be traced to Mexican-Americans in the 1960s and the opportunism of wily beer distributors.
Artists aren’t easy people to be around sometimes. Genius and jerk often walk hand in hand. They may suffer for their art, but those who support them often become collateral damage in the quest for immortality. Making a biopic of any artist and balancing the good with the bad seems an almost impossible task. Making a biopic of Pablo Picasso, a classic case study of the genius-as-jerk, that praises the painting while honestly assessing the collateral damage to women has never satisfactorily been filmed.  But where cinema fails, maybe the cinematic graphic novel can succeed.  The graphic novel Pablo, written by Julie Birmant and illustrated by Clément Oubrerie, is the best “film” ever made about one of the founding fathers of modern art — a portrait of intertwined genius and jerk that never loses sight of either side.
When the Whitney Museum of American Art decided to stage in 1948 their first exhibition of a living American artist, they chose someone who wasn’t even an American citizen, but only legally could become one just before his death. Painter Yasuo Kuniyoshi came to America as a teenager and immersed himself in American culture and art while rising to the top of his profession, all while facing discrimination based on his Japanese heritage.  The exhibition The Artistic Journey of Yasuo Kuniyoshi, which runs through August 30, 2015 at the Smithsonian American Art Museum in Washington, DC, unveils an amazing story of an artist who lived between two worlds — East and West — while bridging them in his art that not only synthesized different traditions, but also mirrored the joys and cruelties of them.