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Live-streamed from Perimeter Institute, & exclusive real-time commentary! “Every generation of physicists solves some old puzzles and finds some new ones.” –Dr. Kendrick Smith I want you to think back […]
Lessons from the Universe whenever a light goes out. “End? No, the journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain […]
The standard line against painter John Singer Sargent goes like this: a very good painter of incredible technique, but little substance who flattered the rich and famous with decadently beautiful portraiture — a Victorian Andrea del Sarto of sorts whose reach rarely exceeded his considerable artistic grasp. A new exhibition of Sargent’s work and the accompanying catalogues argue that he was much more than a painter of pretty faces. Instead, the exhibition Sargent: Portraits of Artists and Friends and catalogues challenge us to see Sargent’s omnivorous mind, which swallowed up nascent modernist movements not just in painting, but also in literature, music, and theater. Sargent the omnivore’s dilemma thus lies in being too many things at once and tasking us to multitask with him.