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Half a millennium later, you would think the Italian Renaissance could hold no more secrets from us, no “codes” to decipher. And, yet, secrets hiding in plain sight continue to startle modern audiences with the depth and breadth of that amazing era. One of the well-kept secrets, at least until now, was the work of Piero di Cosimo, subject of his first major retrospective, Piero di Cosimo: The Poetry of Painting in Renaissance Florence at the National Gallery of Art, Washington, DC.  Called “a madman” for his personal and artistic quirks by Renaissance chronicler Giorgio Vasari, Piero’s ability to paint in multiple genres all with a dizzying amount of detail may have seemed madness to contemporaries, but appeals to modern audiences conditioned for such visual assaults. There may have been a method to Piero di Cosimo’s madness after all.
Michio Kaku: Can We Download Our Brains? One day we might be able to download our consciousness into a computer chip, preserving our personalities forever—but first we will have to […]
What does football really teach us? In “Why Football Matters: My Education in the Game,” author Mark Edmundson recounts his own high school football experience from the perspective of age and asks that very same question in a nuanced, clear-eyed way that might make you think twice about why we love football so much and what that love may be doing to us and our children.
Live-streamed from Perimeter Institute, & exclusive real-time commentary! “Every generation of physicists solves some old puzzles and finds some new ones.” –Dr. Kendrick Smith I want you to think back […]
What the world’s most powerful collider found, and may yet still find. “Innovation is taking two things that already exist and putting them together in a new way.” –Tom Freston […]
What is Punk? Punk isn’t about mohawks or studded leather, says Henry Rollins – it’s about resistance to tyranny in any form. How Art Can Change Society, with Sarah Lewis Sarah […]