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With the second non-indictment of a white police officer who killed an unarmed black man in two weeks, the chant “no justice, no peace” continues to ring out in protests around the country. What does that phrase really mean — and how has it been used historically, in protest movements both peaceful and otherwise?
Half a millennium later, you would think the Italian Renaissance could hold no more secrets from us, no “codes” to decipher. And, yet, secrets hiding in plain sight continue to startle modern audiences with the depth and breadth of that amazing era. One of the well-kept secrets, at least until now, was the work of Piero di Cosimo, subject of his first major retrospective, Piero di Cosimo: The Poetry of Painting in Renaissance Florence at the National Gallery of Art, Washington, DC.  Called “a madman” for his personal and artistic quirks by Renaissance chronicler Giorgio Vasari, Piero’s ability to paint in multiple genres all with a dizzying amount of detail may have seemed madness to contemporaries, but appeals to modern audiences conditioned for such visual assaults. There may have been a method to Piero di Cosimo’s madness after all.
NEW YORK – Last month, a remarkable gathering occurred in Medellín, Colombia. Some 22,000 people came together to attend the World Urban Forum and discuss the future of cities. The […]