Ethan Hawke: Success Is as Simple as Setting Achievable Goals
As an actor, director, screenwriter, and novelist, Ethan Hawke knows how to get things done. The secret to his success is taking small, progressive steps to a larger goal. It's just that simple.
Ethan Hawke is an American actor, novelist, screenwriter, and director. Hawke received Academy Award and Screen Actors Guild Supporting Actor nominations for his work in Antoine Fuqua's "Training Day," opposite Denzel Washington. Hawke most recently appeared in Robert Budreau’s “Born to Be Blue,” for which he received rave reviews out of the Toronto Film Festival for his depiction of legendary jazz trumpeter Chet Baker.
In 1996, Hawke wrote his first novel, The Hottest State, published by Little Brown and now in its nineteenth printing. In 2002, his second novel, Ash Wednesday, was published by Knopf and was chosen for Bloomsbury's contemporary classics series. Additionally, Hawke's 2016 graphic novel, "Indeh," with illustrator Greg Ruth, captures the narrative of two nations at war who strive to find peace and forgiveness in a time of great upheaval.
At the age of twenty-one, Hawke founded the Malaparte Theater Co., which remained open for more than five years giving young artists a home to develop their craft. The next year, in 1992, Hawke made his Broadway debut in "The Seagull." Additionally, he has appeared in "Henry IV" alongside Richard Easton on Broadway; "Buried Child" (Steppenwolf); "Hurlyburly," for which he earned a Lucille Lortel Award Nomination for Outstanding Lead Actor and Drama League Award Nomination for Distinguished Performance (The New Group); Tom Stoppard's "The Coast of Utopia," for which he was honored with a Tony Award nomination for Best Featured Actor in a Play and Drama League Award nomination for Distinguished Performance (Lincoln Center); the inaugural season of The Bridge Project's double billings of "The Cherry Orchard" and "A Winter's Tale," which garnered Hawke a Drama Desk Award Nomination for Outstanding Featured Actor in a Play (Brooklyn Academy of Music and The Old Vic); and "Blood From A Stone" (The New Group) which earned him a 2011 Obie Award for Performance. In 2010, Hawke directed Sam Shepard's "A Lie of the Mind," for which he received a Drama Desk Nomination for Outstanding Director of a Play as well as recognition in the New York Times and The New Yorker top ten lists of the leading theatre productions in 2010.
Ethan Hawke: I have thrived on one simple idea which his placing achievable goals in front of you. I never would give myself a goal like writing a novel. I find goals like that really intimidating. I do well by saying I’m going to try and write every day for ten days. I remember when I was first starting to teach myself to write. I would say I’m going to go away for ten days. I’ll go on a ten day retreat and I’ll write every day for ten days with the goal of one short story. Let’s see if we can just – I’m going to come back with one short story I can hand to my friends. And usually those simple actions give you confidence. I did that. I wrote a short story and I gave it to my friends and they really liked it. I mean they’re my friends, right. And they were encouraging. I knew that there were a couple of paragraphs that were really good. You know when you start accessing that part of yourself and you give yourself achievable goals – I remember I didn’t decide that I wanted to direct films. I told myself that I was going to direct a short film and I was going to make it super manageable, something that I could afford to produce. I didn’t need to ask anybody. I took the money I made from Dead Poet’s Society and I made a short film.
You know, I’ve got a graphic novel coming out. That’s kind of weird, you know, for an actor to do. I made a documentary last year. I wrote a children’s book last year. I’ve acted in plays. To a lot of people that strikes them as weird. Or they can accuse me of being a dilettante or something like that, right. But I believe in cultivating the attitude of a student at all times and putting yourself out of your comfort zone. You know if all I did was act since I was 13 I could do that but it doesn’t help me become a better actor. Writing helps me become a better actor. Directing, you know, I’m trying to direct a movie right now. I’m trying to talk other actors into being in the movie and they say no all the time the bastards. And but it helps me understand wow, that’s how she works. I would have never thought that about the script. You know what? She’s right. It is strange. Why does that do that? Now when I’m meeting a director who is trying to talk me into doing a movie I know how sensitive they’re feeling, you know, and I know how to talk to them in a way that’s not going to be hurtful or disrespectful.
I have had a lot of experience in different things and, you know, I’ll give myself a goal of a first draft of something with plenty of time. But you have to make it. If you give yourself achievable – the great thing is you don’t want to position yourself to fail because failing is depressing and it makes you lose steam. Whereas if you say like I don’t have to direct a movie by next year or anything like that but I will have a first draft or I’ll die. I’m going to have this first draft. And so what do I really need to do that? Well I need to have an outline by next week and then I’ll make that outline into a ten page treatment. I’ll turn that ten page treatment into a 20 page treatment. Then I’ll try to write a first draft of a screenplay with my goal of it being 60 pages. And like that. And okay. Invariably often you can get done sooner than that.
Although Ethan Hawke is a novelist, he says writing a novel has never been a personal goal. His comment is not a falsely modest one. Rather it comes from a feeling of genuine intimidation before the task of writing a book-length manuscript. As a famous poet once said, our ends never know our beginnings, and in the case of achieving our goals, this might be a good thing.
The idea of taking baby steps through a project is cliche enough to be virtually meaningless. As a way through that impasse, Hawke discusses some real life examples of when setting small goals has allowed him to achieve greater success. Before he ever dreamed of writing a novel, he took a retreat to simply write for ten days in a row. The goal? One short story. After acting in Dead Poets Society, Hawke decided to do some directing. Instead of directing a feature-length film, he chose a short documentary.
In two of Hawke's industries — writing and filmmaking — there is an achievable goal baked into each medium: the short story and the short film. Rather than writing a novel or directing a documentary, Hawke merely committed to writing a short story and directing a short-form documentary.
The key, says Hawke, is not setting yourself up for failure. Whatever your medium is, whether banking reports or epic poetry, you must set achievable goals for yourself, despite whatever grandiose wishes you have. Setting impossible goals will result in failure, and failure, says Hawke, is just depressing. One of the greatest motivators in Hawke's writing endeavors was the praise of his friends, so receiving positive feedback for your work is essential. Positive feedback comes from inside and outside, and both depend on setting goals that are realistic.
Ethan Hawke's graphic novel is Indeh: The Story of the Apache Wars.
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