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The 9 Circles of Hell in Images: Dante’s “The Inferno”

A spiritual journey through the world beyond the grave, a hell, a purgatory, and a paradise is considered a masterwork of world literature.
Detail of a miniature of Virgil reaching for Lucifer's legs and above, climbing out of the mouth of Hell with Dante. (British Library via Picryl)

Dante Alighieri completed his epic poem “The Divine Comedy” in 1320. A spiritual journey through the world beyond the grave, a hell, a purgatory, and a paradise is considered a masterwork of world literature.

Calling his poem a “Comedy,” Dante uses the medieval classification: a comedy, he says in a letter to Cangrande Della Scala is “all poetry in middle style with a terrifying beginning and a happy end, written in the vernacular.” “The Divine Comedy” is replete with allegories which reflect the postulates of Catholicism along with Italian political issues at that time. Throughout the journey, Dante meets many historical figures from myths, the classical age, early Christianity and biblical history, Europe of the medieval period: Homer, Socrates, Aristotle, Julius Caesar, Cleopatra, Helen of Troy, Alexander the Great, Judas Iscariot, Solomon and many others.

Dante elaborates this idea and describes the underworld, with graphical vividness, deciding all the details of his architectonic. In the beginning, Dante’s hero meets the poet Vergil, and their path takes them through a colossal funnel of inferno with nine circles, or stages. Then they cross through the center of Earth and, after overcoming the seven terraces of Purgatory, finally reach the gates of Paradiso. The final, third part of the poem is dedicated to the journey of Dante through heavenly paradise with a new guide, Beatrice. Beatrice was Dante’s true love: she was a real person, and Dante decided to use her as an important character in his masterpiece.

Below you can see Illuminations, created by Master of the Antiphonar of Padua in the 14th century. In 1845, D. Pietro Zani, a writer and critic of Italian art, discovered the value of this manuscript. Later, in 1842, British Library became the owner of this parchment. The manuscript was digitized by British Library and could be found on Picryl, the largest public domain media search engine.

1. The first circle of Inferno: The Noble Caste: Here stay the souls of unbaptized infants and virtuous non-Christians.

2. The second circle of Inferno: Lust: Souls overcome by lust are suffering from violent storms without rest.

3. The third circle of Inferno: Gluttony : Gluttony is a sin of these souls. They are rotting in the rain and hail under the guard of Cerberus.

4. The fourth circle of the Inferno: Greed: Avaricious souls are doomed to drag enormous weights from place to place.

5. The fifth circle of the Inferno: Wrath:Dante and Virgil entering the black cloud of the wrathful souls.

6. The sixth circle of the Inferno: Heresy:Dante bending over to speak to one of the proud souls, perhaps Oderisi of Gubbio.

7. The seventh circle of the Inferno: Violence: Dante with Count Ugolino, who is gnawing the scalp of Archbishop Ruggieri.

8. The eighth circle of the Inferno: Fraud: Statius and Dante observing the giant and the harlot in an embrace.

9. The ninth circle of the Inferno: Treachery: Dante speaking to Alberigho, who is lying in ice with traitors.

See the whole collection: https://picryl.com/collections/illustrations-dante-alighieri


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