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It’s subtle and pernicious as hell how this happens. How we transform something that’s supposed to make us more open and balanced into a shiny new prison of things, jargon, and obligations.
Moral sciences are back. Natural laws of ethics, envisioned early in the Enlightenment, can now be objectively studied. Game Theory is reteaching scientists and “rationalists” old wisdoms, while suggesting a “Golden Punishment Rule,” and a Naturalistic Fallacy reform (via “negative telos”).
When British archaeologist Leonard Woolley discovered in December 1927 the tomb of Puabi, the queen/priestess of the Sumerian city of Ur during the First Dynasty of Ur more than 4,000 years ago, the story rivaled that of Howard Carter’s discovery of Tutankhamun’s tomb in Egypt just five years earlier. “Magnificent with jewels,” as Woolley described it, Puabi’s tomb contained the bodies of dozens of attendants killed to accompany her in the afterlife — the ideal material for a headline-grabbing PR campaign that momentarily shouldered Tut out of the spotlight. A new exhibit at New York’s The Institute for the Study of the Ancient World titled From Ancient to Modern: Archaeology and Aesthetics puts Puabi back in the spotlight to examine how archaeology and aesthetics intersected, transforming ancient art into modern and making modern art strive to be ancient.