from the world's big
Are We the Designers or the Designed? with Jason Silva
Whether we're conscious of it or not, the things we design can design us as well. "We become what we behold," as the old proverb goes. Such is the power, explains Jason Silva, of ontological design.
Jason Silva is the Emmy-nominated host of National Geographic Channel’s #1 rated and Emmy-nominated series, Brain Games, seen in over 100 countries. “A Timothy Leary of the Viral Video Age” was how The Atlantic described television personality, filmmaker and philosopher Silva, who has also been described as “part Timothy Leary, part Ray Kurzweil, and part Neo from ‘The Matrix.’”
A self-professed wonderjunkie, Silva is the creator of the web series SHOTS OF AWE, micro-documentaries exploring creativity, innovation, the co-evolution of human and technology, futurism, metaphysics, existentialism and the human condition.
Silva’s work has been featured in The Economist, Vanity Fair, Forbes and Wired, among many others.
Jason Silva: I’ve recently become obsessed with the role that design plays in the construction of our mindware and the construction of our sense of self. And I remember I was in Cape Town giving a keynote for IBM and this guy that I met called Mahool, a computer scientist, brilliant guy who was a fan of my web series Shots of Awe, showed up for this talk. And we ended up connecting and going and hanging out and spending the day walking around the botanical gardens of Cape Town in the middle of a storm on this bridge that went over the canopy of trees. It was a total kind of — you couldn’t ask for a better stage for a sort of cerebral conversation. And I was talking to him about my desire to steer awareness. Again, how do I transcend to what Michael Pollan calls the been theres and done thats of the adult mind. How do I elicit a childlike sense of wonder? How do I control and steer subjectivity? My obsession. And so he said, “Oh, that’s easy. You know we do that all the time with design. It’s called ontological design.” I was like, “What? Onto, what? Tell me again. Ontological design.”
And I was like, “What does that mean?” Well it has to do with the nature of beingness itself, ontology, what it is to be, what it is to inhabit a mind world, a life world, a worldhood. And basically the idea of ontological design is very simple. It basically says that design affects us in a way that is much more pervasive than we’re normally privy to. The notion is that whether we’re conscious of it or not everything that we design is designing us back. We are being actively designed by that which we have designed. This, of course, echoes Terence McKenna’s idea that we become what we behold. Or Marshall McLuhan’s notion that first we build the tools, but then they build us, you know. Or Steven Johnson when he says our thoughts shape our spaces, you know. We build cathedrals; we build architectural dwellings and then those spaces return the favor. Those spaces build our thoughts. Our thoughts build our spaces; the spaces return the favor. So my friend was talking about this notion that ontological design implies that there’s this hermeneutic circle in the sense of mind emerges into feedback loops between brains, tools, and environments. There’s a meaning-making circle. The self emerges like the ouroboros, like the dragon that’s eating its own tail, right. Or like Escher’s hands where you have the hand that is drawing the hand that is drawing it. So it’s like this infinity loop.
And that that’s basically how the way mindware emerges, you know. Who we are — the feedback loop should be the metaphor of our age, right. Instead of the DNA molecule, it should be the feedback loop. There was an essay written in Aeon Magazine recently about this notion. But again it’s not just our genetics that determine who we are; it’s the feedback loops between self and world. And this is the notion of ontological design. And I think the takeaway being is that by harnessing those feedback loops we can build better mindware. We can build systems; we can build cities, cityscapes, dwellings, spaces. Even the words we use to map our reality can be improved recursively because it’ll feed back and then improve who we are. Better tools, those tools then interface with us and create better ideas and then we use those tools to build new tools. And then those new tools interface with us and so on and so forth until novelty approaches infinity and realities fly apart as Diana Slattery writes in her book Xenolinguistics. Yeah, so again it should give us as humans a sense of responsibility for authoring the mindedness of the future, you know. The minds of the future can be built. It’s kind of a social engineering project. Everything that we design should be thought of as a building block, as new construction kits for our reality.
You can imagine why my head exploded when I was with this guy over the canopy on a bridge in the botanical gardens of Cape Town during a storm and the guy starts telling me about ontological design. Because I was witnessing ontological design happening in that moment. That stage, that context in which we were — over the trees in the botanical gardens was conditioning the nature of my subjective experience as he was telling me about this idea. I was witnessing the power of our creative and linguistic choices to author my subjectivity. Even the words we were using to describe, to map our experience were being fed back into our experience. And it’s just a reminder of the sort of dizzying freedom that we have to compose our lives, to compose our experience. Timothy Leary used to call this the vertigo of freedom. It’s a crazy idea, right? But I find it reassuring. I find it inspiring that we have — we are the music makers. We are the dreamers of dreams. We have the pen. We get to be reality engineers, reality architects and I love that. I love that idea.
Directed/Produced by Jonathan Fowler, Elizabeth Rodd, and Dillon Fitton
Whether we're conscious of it or not, the things we design can design us as well. "We become what we behold," as the old proverb goes. Such is the power of ontological design. Jason Silva, host of National Geographic Channel's Brain Games, explores the feedback loops that cause the brain to be influenced by locations and designs.
Join Pulitzer Prize-winning reporter and best-selling author Charles Duhigg as he interviews Victoria Montgomery Brown, co-founder and CEO of Big Think, live at 1pm EDT tomorrow.
A study looks at the performance benefits delivered by asthma drugs when they're taken by athletes who don't have asthma.
- One on hand, the most common health condition among Olympic athletes is asthma. On the other, asthmatic athletes regularly outperform their non-asthmatic counterparts.
- A new study assesses the performance-enhancement effects of asthma medication for non-asthmatics.
- The analysis looks at the effects of both allowed and banned asthma medications.
WADA uncertainty<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUzNzU0OS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxMDc4NjUwN30.fFTvRR0yJDLtFhaYiixh5Fa7NK1t1T4CzUM0Yh6KYiA/img.jpg?width=980" id="01b1b" class="rm-shortcode" data-rm-shortcode-id="2fd91a47d91e4d5083449b258a2fd63f" data-rm-shortcode-name="rebelmouse-image" alt="urine sample for drug test" />
Image source: joel bubble ben/Shutterstock<p>When inhaled β-agonists first came out just before the 1972 Olympics, they were immediately banned altogether by the WADA as possible doping substances. Over the years, the WADA has reexamined their use and refined the organization's stance, evidence of the thorniness of finding an equitable position regarding their use. As of January 2020, only three β-agonists are allowed — salbutamol, formoterol, and salmeterol —and only in inhaled form. Oral consumption appears to have a greater effect on performance.</p>
The study<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUzNzU0Ny9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MTIzMDQyMX0.Gk4v-7PCA7NohvJjw12L15p7SumPCY0tLdsSlMrLlGs/img.jpg?width=980" id="d3141" class="rm-shortcode" data-rm-shortcode-id="ebe7b30a315aeffcb4fe739095cf0767" data-rm-shortcode-name="rebelmouse-image" alt="runner at starting position on track" />
Image source: MinDof/Shutterstock<p>Of primary interest to the authors of the study is confirming and measuring the performance improvement to be gained from β-agonists when they're ingested by athletes who don't have asthma.</p><p>The researchers performed a meta-analysis of 34 existing studies documenting 44 randomized trials reporting on 472 participants. The pool of individuals included was broad, encompassing both untrained and elite athletes. In addition, lab tests, as opposed to actual competitions, tracked performance. The authors of the study therefore recommend taking its conclusions with just a grain of salt.</p><p>The effects of both WADA-banned and approved β-agonists were assessed.</p>
Approved β-agonists and non-asthmatic athletes<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUzNzU1MC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxMzkxODk0M30.3RssFwk_tWkHRkEl_tIee02rdq2tLuAePifnngqcIr8/img.jpg?width=980" id="39a99" class="rm-shortcode" data-rm-shortcode-id="b1fe4a580c6d4f8a0fd021d7d6570e2a" data-rm-shortcode-name="rebelmouse-image" alt="vaulter clearing pole" />
Image source: Andrey Yurlov/Shutterstock<p>What the meta-analysis showed is that the currently approved β-agonists didn't significantly improve athletic performance among those without asthma — what very slight benefit they <em>may</em> produce is just enough to prompt the study's authors to write that "it is still uncertain whether approved doses improve anaerobic performance." They note that the tiny effect did increase slightly over multiple weeks of β-agonist intake.</p>
Banned β-agonist and non-asthmatic athletes<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUzNzU1Mi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzNjI3ODU5Mn0.vyoxSE5EYjPGc2ZEbBN8d5F79nSEIiC6TUzTt0ycVqc/img.jpg?width=980" id="de095" class="rm-shortcode" data-rm-shortcode-id="02fdd42dfda8e3665a7b547bb88007ef" data-rm-shortcode-name="rebelmouse-image" alt="swimmer mid stroke" />
Image source: Nejron Photo/Shutterstock<p>The study found that for athletes without asthma, however, the use of currently banned β-agonists did indeed result in enhanced performance. The authors write, "Our meta-analysis shows that β2-agonists improve anaerobic performance by 5%, an improvement that would change the outcome of most athletic competitions."</p><p>That 5 percent is an average: 70-meter sprint performance was improved by 3 percent, while strength performance, MVC (maximal voluntary contraction), was improved by 6 percent.</p><p>The analysis also revealed that different results were produced by different methods of ingestion. The percentages cited above were seen when a β-agonist was ingested orally. The effect was less pronounced when the banned substances were inhaled.</p><p>Given the difference between the results for allowed and banned β-agonists, the study's conclusions suggest that the WADA has it about right, at least in terms of selection of allowable β-agonists, as well as the allowable dosage method.</p>
Takeaway<p>The study, say its authors, "should be of interest to WADA and anyone who is interested in equal opportunities in competitive sports." Its results clearly support vigilance, with the report concluding: "The use of β2-agonists in athletes should be regulated and limited to those with an asthma diagnosis documented with objective tests."</p>
Certain water beetles can escape from frogs after being consumed.
- A Japanese scientist shows that some beetles can wiggle out of frog's butts after being eaten whole.
- The research suggests the beetle can get out in as little as 7 minutes.
- Most of the beetles swallowed in the experiment survived with no complications after being excreted.
Richard Feynman once asked a silly question. Two MIT students just answered it.
Here's a fun experiment to try. Go to your pantry and see if you have a box of spaghetti. If you do, take out a noodle. Grab both ends of it and bend it until it breaks in half. How many pieces did it break into? If you got two large pieces and at least one small piece you're not alone.
But science loves a good challenge<p>The mystery remained unsolved until 2005, when French scientists <a href="http://www.lmm.jussieu.fr/~audoly/" target="_blank">Basile Audoly</a> and <a href="http://www.lmm.jussieu.fr/~neukirch/" target="_blank">Sebastien Neukirch </a>won an <a href="https://www.improbable.com/ig/" target="_blank">Ig Nobel Prize</a>, an award given to scientists for real work which is of a less serious nature than the discoveries that win Nobel prizes, for finally determining why this happens. <a href="http://www.lmm.jussieu.fr/spaghetti/audoly_neukirch_fragmentation.pdf" target="_blank">Their paper describing the effect is wonderfully funny to read</a>, as it takes such a banal issue so seriously. </p><p>They demonstrated that when a rod is bent past a certain point, such as when spaghetti is snapped in half by bending it at the ends, a "snapback effect" is created. This causes energy to reverberate from the initial break to other parts of the rod, often leading to a second break elsewhere.</p><p>While this settled the issue of <em>why </em>spaghetti noodles break into three or more pieces, it didn't establish if they always had to break this way. The question of if the snapback could be regulated remained unsettled.</p>
Physicists, being themselves, immediately wanted to try and break pasta into two pieces using this info<p><a href="https://roheiss.wordpress.com/fun/" target="_blank">Ronald Heisser</a> and <a href="https://math.mit.edu/directory/profile.php?pid=1787" target="_blank">Vishal Patil</a>, two graduate students currently at Cornell and MIT respectively, read about Feynman's night of noodle snapping in class and were inspired to try and find what could be done to make sure the pasta always broke in two.</p><p><a href="http://news.mit.edu/2018/mit-mathematicians-solve-age-old-spaghetti-mystery-0813" target="_blank">By placing the noodles in a special machine</a> built for the task and recording the bending with a high-powered camera, the young scientists were able to observe in extreme detail exactly what each change in their snapping method did to the pasta. After breaking more than 500 noodles, they found the solution.</p>
The apparatus the MIT researchers built specifically for the task of snapping hundreds of spaghetti sticks.
(Courtesy of the researchers)
What possible application could this have?<p>The snapback effect is not limited to uncooked pasta noodles and can be applied to rods of all sorts. The discovery of how to cleanly break them in two could be applied to future engineering projects.</p><p>Likewise, knowing how things fragment and fail is always handy to know when you're trying to build things. Carbon Nanotubes, <a href="https://bigthink.com/ideafeed/carbon-nanotube-space-elevator" target="_self">super strong cylinders often hailed as the building material of the future</a>, are also rods which can be better understood thanks to this odd experiment.</p><p>Sometimes big discoveries can be inspired by silly questions. If it hadn't been for Richard Feynman bending noodles seventy years ago, we wouldn't know what we know now about how energy is dispersed through rods and how to control their fracturing. While not all silly questions will lead to such a significant discovery, they can all help us learn.</p>
Several experts have weighed in on our sometimes morbid curiosity and fascination with true crime.
- True crime podcasts can get as many as 500,000 downloads per month. In the Top 100 Podcasts of 2020 list for Apple, several true crime podcasts ranked within the Top 20.
- Our fascination with true crime isn't just limited to podcasts, with Netflix documentaries like "Confessions of a Killer: The Ted Bundy Tapes" scoring high popularity with viewers.
- Several experts weigh in on our fascination with these stories with theories including fear-based adrenaline rushes and the inherent need to understand the human mind.
Why are we fascinated with true crime stories?<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUzODA1MC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MzkwOTAzOX0.7WqeWaf-odtEJV5XB2jdEG1uPU5d6Uaujw6iy6MKMbw/img.jpg?width=1245&coordinates=0%2C0%2C0%2C0&height=700" id="d99fc" class="rm-shortcode" data-rm-shortcode-id="e14d547e4d386925bad470882a823333" data-rm-shortcode-name="rebelmouse-image" alt="woman standing in front of crime scene notes" />
Several experts and psychologists weigh in on why we could be so fascinated by violence, destruction and true crime stories...
Photo by Motortion Films on Shutterstock<p>Several experts have weighed in on this topic over the years, as the spike in popularity of true crime media has continued at an astonishing rate.</p><p><strong>Psychopaths are charismatic.</strong> </p><p>One of the <a href="https://www.scienceofpeople.com/psychopath/#:~:text=Psychopathy%20researchers%20found%20that%20psychopaths,defer%20gratification%20and%20control%20behavior" target="_blank">defining qualities of a psychopath</a> is that they have "superficial charm and glibness", which could explain part of our fascination with podcasts, TV shows, and movies that cover the lives of famous serial killers like Ted Bundy.</p><p><strong>Our psychology demands we pay attention to things that could harm us.</strong></p><p>Psychology can play a large role in why we like what we like, and our fascination with true crime stories is no exception. When it comes to potential threats or things that could be threatening to humanity, perhaps we've been conditioned to pay those things extra attention. </p><p>According to Dr. John Mayer, a clinical psychologist at <a href="http://www.doctorondemand.com/" target="_blank">Doctor on Demand</a> who spoke about the process <a href="https://www.nbcnews.com/better/health/science-behind-why-we-can-t-look-away-disasters-ncna804966" target="_blank">in an interview with NBC News</a>, seeing destruction, disaster, or tragedy actually triggers survival instincts in us. </p><p>"A disaster enters into our awareness - this can be from a live source such as driving by a traffic accident or from watching a news report about a hurricane, a plane crash or any disaster," Mayer said. "This data from our perceptual system then stimulates the amygdala (the part of the brain responsible for emotions, survival tactics and memory). The amygdala then sends signals to the regions of the frontal cortex that are involved in analyzing and interpreting data. Next, the brain evaluates whether this data (awareness of the disaster) is a threat to you, thus judgment gets involved. As a result, the 'fight or flight' response is evoked." </p><p><strong>Could it just be morbid curiosity? </strong></p><p>Dr. Katherine Ramsland, Ph.D., a professor at De Sales University, explained <a href="https://www.bustle.com/p/why-are-people-so-obsessed-with-true-crime-experts-reveal-the-evolutionary-reasons-why-18138062" target="_blank">in an interview with Bustle</a>:</p><p>"Part of our love of true crime is based on something very natural: curiosity. People reading or watching a true crime story are engaged on several levels. They are curious about who would do this, they want to know the psychology of the bad guy, girl, or team. They want to know something about the abhorrent mind. They also love the puzzle - figuring out how it was done." </p><p><strong>Perhaps it's a way of facing our fears and planning our own reactions without risking immediate harm. </strong></p><p>In an interview with NBC News, psychiatrist Dr. David Henderson suggested that we may be fascinated with violence, destruction, or crime as a way of assessing how we would handle ourselves if put into that situation:</p><p style="margin-left: 20px;"><em>"Witnessing violence and destruction, whether it is in a novel, a movie, on TV or a real life scene playing out in front of us in real time, gives us the opportunity to confront our fears of death, pain, despair, degradation and annihilation while still feeling some level of safety. This sensation is sometimes experienced when we stand at the edge of the Grand Canyon or look through the glass at a ferocious lion at the zoo. We watch because we are allowed to ask ourselves ultimate questions with an intensity of emotion that is uncoupled from the true reality of the disaster: 'If I was in that situation, what would I do? How would I respond? Would I be the hero or the villain? Could I endure the pain? Would I have the strength to recover?' We play out the different scenarios in our head because it helps us to reconcile that which is uncontrollable with our need to remain in control."</em></p><p><strong>Psychologically, negative events activate our brains more than positive events. </strong></p><p><a href="http://psycnet.apa.org/doiLanding?doi=10.1037%2F0033-2909.134.3.383" target="_blank">A 2008 study</a> published by the American Psychological Association found that humans react to and learn more from negative experiences than we do positive ones. The term "negative bias" is the tendency to automatically give more attention (and meaning) to negative events and information more than positive events or information. </p><p><strong>A forced perspective may trigger empathy and act as a coping mechanism. </strong></p><p>Viewing destruction (or listening to/watching true crime stories) could be beneficial. According to Dr. Mayer, "the healthy mechanism of watching disasters is that it is a coping mechanism. We can become incubated emotionally by watching disasters and this helps us cope with hardships in our lives…" <a href="https://www.nbcnews.com/better/health/science-behind-why-we-can-t-look-away-disasters-ncna804966" target="_blank">Dr. Stephen Rosenburg points out</a>, however, that this empathetic response can also have a negative impact. "Being human and having empathy can make us feel worried or depressed."</p><p>Dr. Rosenberg goes on to explain that this can also impact the negativity bias. "We tend to think negatively to protect ourselves from the reality. If it turns out better, we're relieved. If it turns out worse, we're prepared." </p><p><strong>Perhaps the adrenaline of fear that comes from listening to or watching true crime can become addicting. </strong></p><p>Similarly to how people get a "runners high" from exercise or feel depressed when they have missed a scheduled run, the adrenaline that pumps during our consumption of true crime stories <a href="https://www.psychologytoday.com/us/blog/science-choice/201508/can-you-be-addicted-adrenaline" target="_blank">can become addictive</a>. According to sociology and criminology professor Scott Bonn, <a href="https://www.psychologytoday.com/us/blog/wicked-deeds/201605/the-delightful-guilty-pleasure-watching-true-crime-tv" target="_blank">in an interview with Psychology Today</a>: "The public is drawn to these stories because they trigger the most basic and powerful emotion in us all: fear."</p>