Hal Luftig: Theater Will Never Die
Hal Luftig is optimistic that theater will not die as an artform, even in the face of our on-demand, digital consumption.
Winner of four Tony Awards and London’s Olivier Award, Hal Luftig has produced theater on and off Broadway for the past 25 years.Currently, Hal is the lead producer of the new Tony Award-winning Best Musical, Kinky Boots, by Harvey Fierstein and Cyndi Lauper, which opened at Broadway’s Al Hirschfeld Theatre on April 4, 2013, after a sold-out Chicago engagement at the Bank of America Theatre. Kinky Boots, directed and choreographed by Tony Award-winner Jerry Mitchell, was nominated for 13 Tony Awards, the most of any production in the 2012-2013 Broadway season.
Hal Luftig: The value added to theater – and, you know, I know this is a debate that has gone on for millions of years and hopefully will still go on for millions of years is that there is no experience like it. It’s live, you’re live, they’re live. They’re feeding off you, you’re feeding off them, you know. And an audience senses that and that is an added value and I don’t really care how technology pushes us forward. There’s never going to be anything like sitting in a theater with, like I said, a hundred or a thousand people around you laughing, crying, you know, doing all those emotional things that hopefully good theater will do for you. And my challenge and the challenge that we have as an industry is getting people to recognize that and into, you know, the theater. And, you know, the complaint that I hear – I hear too the most about theater specifically – the price and the accessibility.
The accessibility – I’m going to go backwards. The accessibility is something as an industry – I think actually technology and the theater world can marry more. There are people out there that don’t know how to get tickets or they think that getting tickets are complicated. They don’t understand you can go online now. And I think, you know, the technology in that case has helped the theater industry tremendously. I mean there was a day – and I’m not that old but there was a day that I remember the only way you could get a theater ticket was to go to the box office. And now we’ve expanded that so it is amazing to me. The idea of it being too expensive is something that, you know, is a challenge to the industry too. And to that I always say my job is to let people know there are many ways and many different prices of seeing shows. There’s the TKTS booth. There’s, you know, direct mail. There’s email blast. We’re starting to use that technology. And so I think those two obstacles when you add it together, the added value is to get the world to understand there’s no experience like live theater. There can’t be. Live streaming, HD filming, even the audience that is listening to this conversation right now – it’s not at all like if we were sitting in a room live. And that’s the excitement of live theater.
We find that the younger generation unless they have come – been brought to the theater don’t get it. It seems like their grandmother’s form of entertainment. And, you know, to that personally I have been – and most of my career have been a big advocate of getting school children into the theater. And whether that is a Wednesday matinee where you donate tickets or we have a program right now with the city school system that we choose, you know, one school every Wednesday matinee and they get, you know, a hundred tickets. Some of the schools do it on merit, some do it on financial need, you know. Each school is a little bit different. But I find – and this is one of the greatest joys that I have as a producer is watching those kids watch a show, many of them for the very first time. And you can tell which ones are hooked. You can tell because again, their sensing without any explanation they’re watching someone live. I remember once when I was producing a musical called Jelly’s Last Jam and the late Gregory Hines played Jelly Roll Morton and we took every Wednesday matinee there were a hundred inner city school kids that got to see the show.
And one Wednesday matinee a couple of kids didn’t realize, you know, they saw it was live but they didn’t know the decorum of theater and they were screaming out Gregory, go Gregory, yeah, my man. And they were just so excited. And he kind of stopped the show and he just very calmly said, you know, we are so glad you are here. It is so cool but you know what’s not cool? I’m trying to, you know, so I’ll tell you what, man. Why don’t you like – let’s do the show that’s how this works and then you guys come backstage and we can rap. And these kids were like over the moon. And it wasn’t because they were, you know, rude but they were hooked. Man, I was watching those kids – they were so hooked onto live theater and I thought this is cool. They had just never experienced that before. You know, every form of entertainment these kids had up until this point in their life was a movie, was a TV, was a video, was a, you know, something. They had never gone and had that, you know, oh my God, there’s a person up there and they happened to know who the person was. So yeah, I love when that happens and that’s a big huge added value.
When I was a kid they were saying the great white way is dead. You know, they were calling it the fabulous invalid. I don’t believe it ever will die because of that feeling, that idea that you can’t get anywhere else. And I think the younger generation – they may be slower to get there but, you know, if we do our job right we’ll get them, you know. There are those kind of hip, cool shows where it’s cool to go and they go wow, this isn’t so bad, you know. Yeah, that’s how you kind of get them.
Directed / Produced by Jonathan Fowler and Dillon Fitton
Hal Luftig is optimistic that theater will not die as an artform, even in the face of our on-demand, digital consumption. Children, he says, are slow adopters, but will ultimately be won over if exposed to the stage. Luftig is a Tony Award-winning Broadway producer. His latest is Kinky Boots.
But most city dwellers weren't seeing the science — they were seeing something out of Blade Runner.
On Sept. 9, many West Coast residents looked out their windows and witnessed a post-apocalyptic landscape: silhouetted cars, buildings and people bathed in an overpowering orange light that looked like a jacked-up sunset.
A study finds 1.8 billion trees and shrubs in the Sahara desert.
- AI analysis of satellite images sees trees and shrubs where human eyes can't.
- At the western edge of the Sahara is more significant vegetation than previously suspected.
- Machine learning trained to recognize trees completed the detailed study in hours.
Why this matters<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNDU2MDQ1OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzOTkyODg5NX0.O3S2DRTyAxh-JZqxGKj9KkC6ndZAloEh4hKhpcyeFDQ/img.jpg?width=980" id="3770d" class="rm-shortcode" data-rm-shortcode-id="3c27b79d4c0600fb6ebb82e650cabec0" data-rm-shortcode-name="rebelmouse-image" />
Area in which trees were located
Credit: University of Copenhagen<p>As important as trees are in fighting climate change, scientists need to know what trees there are, and where, and the study's finding represents a significant addition to the global tree inventory.</p><p>The vegetation Brandt and his colleagues have identified is in the Western Sahara, a region of about 1.3 million square kilometers that includes the desert, <a href="https://en.wikipedia.org/wiki/Sahel" target="_blank">the Sahel</a>, and the <a href="https://www.sciencedirect.com/topics/agricultural-and-biological-sciences/subhumid-zones" target="_blank" rel="noopener noreferrer">sub-humid zones</a> of West Africa.</p><p>These trees and shrubs have been left out of previous tabulations of carbon-processing worldwide forests. Says Brandt, "Trees outside of forested areas are usually not included in climate models, and we know very little about their carbon stocks. They are basically a white spot on maps and an unknown component in the global carbon cycle."</p><p>In addition to being valuable climate-change information, the research can help facilitate strategic development of the region in which the vegetation grows due to a greater understanding of local ecosystems.</p>
Trained for trees<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNDU2MDQ3MC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzNTk5NTI3NH0.fR-n1I2DHBIRPLvXv4g0PVM8ciZwSLWorBUUw2wc-Vk/img.jpg?width=980" id="e02c0" class="rm-shortcode" data-rm-shortcode-id="79955b13661dca8b6e19007935129af1" data-rm-shortcode-name="rebelmouse-image" />
Credit: Martin Brandt/University of Copenhagen<p>There's been an assumption that there's hardly enough vegetation outside of forested areas to be worth counting in areas such as this one. As a result the study represents the first time a significant number of trees — likely in the hundreds of millions when shrubs are subtracted from the overall figure — have been catalogued in the drylands region.</p><p>Members of the university's Department of Computer Science trained a machine-learning module to recognize trees by feeding it thousands of pictures of them. This training left the AI be capable of spotting trees in the tiny details of satellite images supplied by NASA. The task took the AI just hours — it would take a human years to perform an equivalent analysis.</p><p>"This technology has enormous potential when it comes to documenting changes on a global scale and ultimately, in contributing towards global climate goals," says co-author Christian Igel. "It is a motivation for us to develop this type of beneficial artificial intelligence."</p><p>"Indeed," says Brandt says, "I think it marks the beginning of a new scientific era."</p>
Looking ahead and beyond<p>The researchers hope to further refine their AI to provide a more detailed accounting of the trees it identifies in satellite photos.</p><p>The study's senior author, Rasmus Fensholt, says, "we are also interested in using satellites to determine tree species, as tree types are significant in relation to their value to local populations who use wood resources as part of their livelihoods. Trees and their fruit are consumed by both livestock and humans, and when preserved in the fields, trees have a positive effect on crop yields because they improve the balance of water and nutrients."</p><p>Ahead is an expansion of the team's tree hunt to a larger area of Africa, with the long-term goal being the creation of a more comprehensive and accurate global database of trees that grow beyond the boundaries of forests.</p>
Famous physicists like Richard Feynman think 137 holds the answers to the Universe.
- The fine structure constant has mystified scientists since the 1800s.
- The number 1/137 might hold the clues to the Grand Unified Theory.
- Relativity, electromagnetism and quantum mechanics are unified by the number.
Younger Americans support expanding the Supreme Court and serious political reforms, says new poll.
- Americans under 40 largely favor major political reforms, finds a new survey.
- The poll revealed that most would want to expand the Supreme Court, impose terms limits, and make it easier to vote.
- Millennials are more liberal and reform-centered than Generation Z.