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Its not about sex, DiSesa says. Its about having people respect rather than dismiss you.

DiSesa has always worked in boys clubs.

Not all creative people are creative “direct material.” In order to be a creative leader, says Nina DiSesa, you have to keep your brain neatly divided in half.

The creative mind is the most illusive thing.

You have to have some creative credentials yourself, DiSesa says.

People are afraid to be led by someone who isn’t decisive.

Advertising is an art form, too, DiSesa says.

DiSesa is.

Look for the unexpected, DiSesa says.

DiSesa talks about making the famous “Priceless” commercials, start to finish.

The best thoughts come in the bathroom.

Is there an advertising personality?

The chairman of McCann Erickson never thought she’d end up there.

It’s important not to be an alarmist, but it’s important to be alarmed, Copeland says.

Two years ago, environmental consciousness was a luxury, says Copeland.

Ultimately, it’s about self-preservation.

It’s what got us into the mess to begin with

We need to engage the political end of the spectrum, Copeland says.

We need business, government and individuals to cooperate actively, Copeland says.

There’s a danger that this too will fade in our consciousness, Copeland says.

It took far more than that, Copeland says.

It’s hard to have a dialogue of conservation when renewable energy technology is still in its infancy, says Copeland

Americans, Copeland says, have become complacement.

Human nature is an illusion.

After photographing the human footprint on Antarctica, Copeland believes the planet will be fine; it’s the rest of us he’s worried about.

How does Copeland know when and what to shoot? What kind of cameras does he use?

It begins with discovery.

Copeland on the difference between scenic beauty and portraiture.

The array of outlets and amount of disposable income we have made our gossip consumption mind-boggling, says Copeland.

Sebastian Copeland on the business of seduction