The best leaders don't project perfection. Peter Fuda explains why.
- There are two kinds of masks leaders wear. Executive coach Peter Fuda likens one to The Phantom of the Opera—projecting perfectionism to hide feelings of inadequacy—and the other to The Mask, where leaders assume a persona of toughness or brashness because they imagine it projects the power needed for the position.
- Both of those masks are motivated by self-protection, rather than learning, growth and contribution. "By the way," says Fuda, "your people know you're imperfect anyway, so when you embrace your imperfections they know you're honest as well."
- The most effective leaders are those who try to perfect their craft rather than try to perfect their image. They inspire a culture of learning and growth, not a culture where people are afraid to ask for help.
To learn more, visit peterfuda.com.
The actor's greatest heroes exhibited humility in their actions, a view he tries to emulate.
- Ethan Hawke is inspired by others' excellence and ability to see the context of the larger community, those who value their work but don't take it too seriously.
- One of his heroes, River Phoenix, exhibited this kind of humility by taking on roles that were meaningful to him but were seen as controversial.
- "Phil Hoffman used to say this all the time, that it's the most important thing in the world and it doesn't matter, and you have to hold that coin together and flip it around. It's all true all the time," he says.
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There are several levels of comedy plagiarism, says Paul F. Tompkins.
- Comedian Paul F. Tompkins explains the complexities of plagiarism in the comedy world; comedians all spend time together, processing the same current events—to some degree, it's natural that they may arrive at the same conclusions and jokes.
- "There are certain things that human beings just are predisposed to laugh at and we're just kind of all putting our own spin on it," he says.
- Some comedians may do it knowingly and others completely by accident, almost by osmosis. There are levels of plagiarism, and if you ask most comedians, says Tompkins, they will have had an innocent experience of realizing something they wrote was not truly theirs.
Hierarchies of taste exist in our society, but their roots often reflect more than just the quality of work.
- "Taste" in art and entertainment can often represent societal hierarchies, prejudices, and inequalities.
- Part of the job of a critic is to refuse categorization of art as "high" or "low."
- By challenging and redefining these assumptions, critics can level the playing field to include work from all walks of life.
Is the way we hear music biological or cultural?
People who are accustomed to listening to Western music, which is based on a system of notes organized in octaves, can usually perceive the similarity between notes that are same but played in different registers — say, high C and middle C.