The iconic 20th-century artist might not sound how you'd expect.
- Experts at the National Sound Library of Mexico may have discovered the first known voice recording of Frida Kahlo.
- The tape was found in the archives of a late radio personality.
- With her unforgettably surreal (and often painful) self-portraits, Kahlo challenged 20th-century notions of sexuality, class, and gender.
The National Sound Library of Mexico has discovered what could be the first known voice recording of the iconic artist Frida Kahlo.
"Frida's voice has always been a great enigma, a never-ending search," Pável Granados, director of the sound library, said at a press conference.
The recording was found in the archives of late radio personality Alvaro "The Bachelor" Galvez y Fuentes. On it, a female voice reads from Kahlo's essay "Portrait of Diego" for a radio program about Mexican artist Diego Rivera, Kahlo's husband.
"He is a gigantic, immense child, with a friendly face and a sad gaze," the voice says. "His high, dark, extremely intelligent and big eyes rarely hold still. They almost come out of their sockets because of their swollen and protuberant eyelids — like a toad's. They allow his gaze to take in a much wider visual field, as if they were built especially for a painter of large spaces and crowds."
The speaker is thought to be Kahlo because she's introduced as the female painter "who no longer exists." (Kahlo died in 1954 at age 47.) Researchers are analyzing the tape to confirm it's Kahlo, and they plan to search the archives in hopes of finding other potential recordings of the artist, whose voice was once described as "melodious and warm" by Gisèle Freund, a French photographer and friend of Kahlo.
"Melodious and warm" — or however you'd describe the voice in the recording — seems at odds with Kahlo's painting style, which is often described as brooding and painful.
"I was expecting something slow and pained, dark and moody," Waldemar Januszczak, a British art critic, told The New York Times. "Instead, she's as chirpy as a schoolgirl reading her mum a poem. . . Where did all the angst go? So much younger and happier than anyone would have thought."
"Girl with Death Mask" [Niña con máscara de calavera] by Frida Kahlo
Kahlo is still celebrated today because her work viscerally challenged 20th-century conventions of gender, class, and sexuality. As Mexico's Culture Minister Alejandra Frausto said, she remains "one of the most iconic cultural personalities there is."
From deejays to Debussy, it's all brain food.
- A new study supports earlier suspicions of a link between intelligence and non-vocal music.
- This may have to do with a taste for novel experiences way back on the savannah.
- Purely instrumental music may simply be more fresh for brainiacs
Humanity has long been obsessed with individuals who, in a fit of rage, transform into something not-quite human. Irish mythology serves up another example.
- There are plenty of cultural figures who are known for their inhuman transformations: Dr. Jekyll and Mr. Hyde, the Incredible Hulk, werewolves... the list goes on.
- One infrequently mentioned example is the Irish version of Achilles: Cú Chulainn.
- What does the mythological Irish hero represent?
Why the culture that destroyed attention spans is now turning to podcasts.
- Taking a pause after consuming a piece of art or media is essential to our memory, emotions, and intellectual digestion, says writer, director and podcaster John Cameron Mitchell.
- We live in an age full of influencers and YouTube personalities, but fewer narrative powerhouses. Storytelling takes time, skill, and requires us to make space to gather our thoughts.
- Podcasts are a storytelling rebellion against so-called ADHD culture. If the internet ruined our attention spans, can the single-sense format of podcasts bring it back?
Here are 7 often-overlooked World Heritage Sites, each with its own history.
- UNESCO World Heritage Sites are locations of high value to humanity, either for their cultural, historical, or natural significance.
- Some are even designated as World Heritage Sites because humans don't go there at all, while others have felt the effects of too much human influence.
- These 7 UNESCO World Heritage Sites each represent an overlooked or at-risk facet of humanity's collective cultural heritage.
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