The Death of Adulthood & Rise of "Kidults"
If our key political freedom is choosing for ourselves, what do we need to do that in a mature fashion? How much longer can kidults kid themselves about life’s uncool, unavoidable constraints?
Jag Bhalla is an entrepreneur, inventor and writer. His current project is Errors We Live By, a series of short exoteric essays exposing errors in the big ideas running our lives, details at www.errorsweliveby.com. His last book was I'm Not Hanging Noodles On Your Ears, a surreptitious science gift book from National Geographic Books, details at www.hangingnoodles.com. That explains his twitter handle @hangingnoodles.
A O Scott’s “Death of Adulthood” in American arts, inspired the following riffs on art and life and their often unwitting logic:
1. Scott worries that art has “perhaps unwittingly killed off” grown-up behaviors. Art often rebels against adulthood’s fun being constrained by duty, authority, patriarchy and tradition. Like Lena Dunham’s (neofeminist?) kidult TV show “Girls” which celebrates "freedom to be idiotic, selfish, and immature [and] sexually adventurous.”
2. Scott notes that as male authority declines, feminism rises. But feminism mixes two elements: either scattering away from patriarchy, or rushing toward man-mimicking (good and bad). E.g. anti-sexism mixes with women sometimes objectifying and ogling men (more symmetric, but progress?). And pop-star “feminism” that equates empowerment with sexualization puts adult fun into kidult hands (as risky as kids with Uzis?).
3. Patriarchy might be dead, but money-archy (often meritocracy’s other name) and its hierarchy shapes our lives. Kidult freedoms aren’t as risky for those with parental safety nets. While Scott feels “nobody knows how to be grown-up,” in reality adulthood’s trappings become more elusive, and the unstoried poor unglamorously struggle on (with fewer choices and less life).
4. Stalin called novelists “engineers of the soul” and Shelly called poets our “unacknowledged legislators,” but both have been superseded by movie and TV and pop song makers. Very few novels or poems reach more than a few thousand people, but songs, TV and movies reach millions.
5. What artists glamorize or ghettoize matters. It influences or shapes the behaviors and social scripts that are recognized as culturally approved of. Glamorizing childishness, however useful it is within art, can be disastrous in life. Perhaps TV’s complex (“awful...but...cool”) monstrous hero-villains help normalize elite abuses. Here’s how Ayn Rand “glamorized” free-marketeers. Here’s an example of nonconscious status associations shaping self-ghettoizing racial attitudes.
6. Childhood entails dependency and constraints, but adulthood eliminates neither. Adult autonomy can’t escape dependencies on many relationships and their constraints (e.g. with life’s necessary others, communities, markets, nation(s) and even the planet). Freud called this the “reality principle” which should replace the infantile/kidult fun-only “pleasure principle.”
7. Plato’s pastry parable makes a similar point: “Children...or men just as foolish as children,” who can’t resist sweet temptations, unwisely ignore their later effects (biological karma). Maturity must include making long term healthier choices.
8. Democracy and markets interconnect and aggregate preferences (whether they’re prudent or not). And our collective reason (which is what politics should be) is also becoming less adult. Politicians peddle sugary policies while deferring many unappealing but unavoidable political-broccoli issues.
9. Politics is increasingly subservient to an economic story that things work better with no one in charge. Markets, those unwitting mindless aggregates, are like parents, dispensing life’s rewards and punishments. But unenlightened and imprudent self-interest leaves many gaps and undealt with externalized costs, that require foresight and adult supervision to fix.
If our key political freedom is choosing for ourselves, we must learn to do that unchildishly. How much longer can kidults kid themselves about life’s uncool unavoidable constraints?
Illustration by Julia Suits, The New Yorker Cartoonist & author of The Extraordinary Catalog of Peculiar Inventions.
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