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Boring Books Win Awards

“There was a great fashion in the last century, and it’s still with us, of the unenjoyable novel,” says Martin Amis. “And these are the novels which win prizes.”
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“There was a great fashion in the last century, and it’s still with us, of the unenjoyable novel,” says Martin Amis. “And these are the novels which win prizes.” “During an hour-long talk Amis also criticised the work of James Joyce and Samuel Beckett — considered by many to be among the most influential writers of the 20th century — for not being entertaining enough. He said of the penchant for rewarding ‘unenjoyable’ novels: ‘It all started with Beckett, I think. It was a kind of reasonable response to the horrors of the 20th century – you know, ‘No poetry after Auschwitz’.”

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“They f**k you up, your mum and dad,” poet Philip Larkin wrote in the late work “This Be the Verse.” “They may not mean to, but they do./ They fill you with the faults they had/ And add some extra, just for you.” Larkin kidded that those lines would be his best remembered, a guess not too far off 30 years after his death. Where others see in those lines a perfect portrait of the sour, sad curmudgeon poet, in the new biography Philip Larkin: Life, Art and Love, James Booth sees something different. “The poem’s sentiment is sad, but the poem is full of jouissance,” Booth argues. “This must bid fair to be the funniest serious English poem of the 20th century.” Likewise, Larkin — target of posthumous charges of racism, misogyny, and assorted cruelties — could lay claim to being the “funniest serious” English poet of the 20th century. Booth, who knew and worked with Larkin, shows the sweet, happy side of the sour, sad poet and makes a strong case for learning to love Larkin again, if not for the first time.

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