You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Deborah Levy – it's those thoughts that are slightly awkward that need an airing
Playwright and novelist Deborah Levy on chaos and order in creative work. Also: marvelous digressions on the caterpillar and the octopus.
While reading Deborah Levy's novel THE MAN WHO SAW EVERYTHING and her recent "working autobiography" THE COST OF LIVING I often found myself pausing and kind of sinking into a passage I'd just read. Going back and rereading it not because my attention had wandered nor exactly to unpack an idea but because I felt the need to experience it over again. To have it happen to me.
Levy started her career writing plays that have been staged by the Royal Shakespeare Company and broadcast by the BBC. She is the author of multiple novels, several of which have been Man Booker Prize finalists, the short story collection Black Vodka, and two of the aforementioned "working autobiographies".
The two books of hers I've read are packed with ideas, but like great theater, they treat ideas as verbs. They're thought in action. In a sense they defy you to talk about them. But let's try to, anyway.
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We're the co-founders of Big Think. First and foremost, we want to thank you for your viewership. Over the last 12 years, you have helped us take Big Think from a vision scrawled in notes on lined paper to a reality that has reached over 1 billion people with the mission of helping the world get "smarter faster".
"I think when you come to grips with what happened, it gives you a chance of doing something different. What's really dark is when you're going through something and you have no perspective." By revisiting—through poetry—his 9 years in prison for a teenage carjacking, Reginald Dwayne Betts finds freedoms most of us have never known.
Some experiences change you so completely that you're left with a choice: either spend your life running from them or spend your life turning them over in memory, trying to find new ways in, through, and out the other side. The power of the impulse to explain or somehow articulate these experiences is inversely proportionate to other people's ability to understand them. They're everything all at once. It seems to me that my guest today has made that second choice, the hard choice not to run away. Or maybe it's a choice you have to keep making over and over again. His name is Reginald Dwayne Betts. He's 39 years old—an accomplished poet and essayist and a graduate of Yale Law School. But he spent most of his teenage years and young adulthood in prison and over a year in solitary confinement, experiences neither society, nor memory, nor his fellow feeling for the more than 2 million people behind bars in the United States, the vast majority of them black men and boys, has let him forget. Dwayne's beautiful and necessary new book of poems is called FELON, and I'm honored to have him with me here today to talk about it.
Journeys of discovery and wonder in the inner and outer world.
For too long, we've treated racism as a personality trait or a vague systemic menace rather than the result of policies and ideas created deliberately to benefit some groups at the expense of others. As a result, too many anti-racist efforts have collapsed into name-calling sessions, failing to achieve their goals. Ibram X. Kendi, author of How to be an Antiracist, sees a better way.
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