Your T-Shirt Might Not Want to Be a T-Shirt

Question: What is the relationship between objects of fixation in literature and art?

Bill Brown:  Right.  Well, I would, let me answer that, maybe let me avoid that question, perhaps, right?  Because I think that what has become increasingly clear at the end of the 20th century is how much 20th century art is trying to teach us about objects and about object culture, which is to say about how objects make meaning, how objects make meaning for us. And I think right now, certainly in the contemporary art world, there is so much installation work, largely I'm thinking of Tara Donovan's incredible styrofoam cups which end up looking like clouds because they’re glued together, a lot of refabrication.  Or **** production of these object ecology, so it's, you know, toothpicks, Q-tips, and scraps of this, and then the other thing, and they end up being this sort of cosmos.

And artists like that, I think, and not just those artists, I think really mean to be alerting our attention to other ways that objects might be configured, or as I like to put it, or have put it in one essay or another, the possibility that the material world might want to be organized other than the way we've organized it, right?  So that the desire, the denim of your jeans or the cotton of your T-shirt, the object of its desire might be to be a different object, right?  Your T-shirt might actually want to be part of a flag, you know, something along those lines.  And I think it's been a very contemporary art, and a very powerful conduit, to those sorts of ideas.  And those sorts of ideas, philosophically, are very much a part of say, vitalism, I'm thinking of Henri Bergson and then Bergson as re-thought by Deleuze. But it's, I think it's only in the presence of such art that you really experience some of these alternatives, or what I'm calling something like the desire, an inanimate object world's desire to be reconfigured, to have a different shape, right?  And right now, around the city, around your city, if you look at Orozsco’s work in the MoMA, with something like the yogurt tops on four different walls, or Urs Fischer at the New Museum, there's huge aluminum sculptures, I mean, these are all, this is all work that is very powerfully, I think, dramatizing the presence of objects and the importance of objects, as opposed to say, images.  And I think that, you know, if something happened in the 20th century, it's that image culture ended up trumping object culture.  And we have great theories of image culture, too, Debord's Society of the Spectacle, Baudrillard's Orders of Simulacra, and we do, I think, also have powerful theories of the object.  But I think that it's really image culture that got the most attention toward the end of the last century.

There's also, there's another artist, a Chicago artist, Marie Krane Bergman, who has for years been doing vast monochrome on canvases made up of very, very small sort of hillocks of paint.  And now one of the practices that she's taken up is to put paint, acrylic paint, on the floor and then to pick it up and hang the paint, after it's dried, hang the paint.  So she will do grids, for instance, and hang them up and then the grid will sag a bit.  And one of the obvious effects of that work is to make one recognize that, you know, paint is never still, you know, paint is always moving.  You know, a 15th century painting, that paint is still moving, it might be moving very slowly, but it's moving.  And it's also, you know, to my mind, a fascinating way for painting to be attending to a different material ground, not as Greenberg and others would say about flatness, about the shape of the canvas, but rather to the paint itself, right?  So now it's just the paint unsupported, as it were supported just by a nail, that becomes the art object.  But there's another moment where, you know, you really do experience with those works, the vitality of paint, even if it's drooping.

Recorded on March 4, 2010
Interviewed by Austin \r\nAllen

\r\n

Many modern artists have explored the idea that the material world "might want to be organized other than the way we’ve organized it."

Are we really addicted to technology?

Fear that new technologies are addictive isn't a modern phenomenon.

Credit: Rodion Kutsaev via Unsplash
Technology & Innovation

This article was originally published on our sister site, Freethink, which has partnered with the Build for Tomorrow podcast to go inside new episodes each month. Subscribe here to learn more about the crazy, curious things from history that shaped us, and how we can shape the future.

In many ways, technology has made our lives better. Through smartphones, apps, and social media platforms we can now work more efficiently and connect in ways that would have been unimaginable just decades ago.

But as we've grown to rely on technology for a lot of our professional and personal needs, most of us are asking tough questions about the role technology plays in our own lives. Are we becoming too dependent on technology to the point that it's actually harming us?

In the latest episode of Build for Tomorrow, host and Entrepreneur Editor-in-Chief Jason Feifer takes on the thorny question: is technology addictive?

Popularizing medical language

What makes something addictive rather than just engaging? It's a meaningful distinction because if technology is addictive, the next question could be: are the creators of popular digital technologies, like smartphones and social media apps, intentionally creating things that are addictive? If so, should they be held responsible?

To answer those questions, we've first got to agree on a definition of "addiction." As it turns out, that's not quite as easy as it sounds.

If we don't have a good definition of what we're talking about, then we can't properly help people.

LIAM SATCHELL UNIVERSITY OF WINCHESTER

"Over the past few decades, a lot of effort has gone into destigmatizing conversations about mental health, which of course is a very good thing," Feifer explains. It also means that medical language has entered into our vernacular —we're now more comfortable using clinical words outside of a specific diagnosis.

"We've all got that one friend who says, 'Oh, I'm a little bit OCD' or that friend who says, 'Oh, this is my big PTSD moment,'" Liam Satchell, a lecturer in psychology at the University of Winchester and guest on the podcast, says. He's concerned about how the word "addiction" gets tossed around by people with no background in mental health. An increased concern surrounding "tech addiction" isn't actually being driven by concern among psychiatric professionals, he says.

"These sorts of concerns about things like internet use or social media use haven't come from the psychiatric community as much," Satchell says. "They've come from people who are interested in technology first."

The casual use of medical language can lead to confusion about what is actually a mental health concern. We need a reliable standard for recognizing, discussing, and ultimately treating psychological conditions.

"If we don't have a good definition of what we're talking about, then we can't properly help people," Satchell says. That's why, according to Satchell, the psychiatric definition of addiction being based around experiencing distress or significant family, social, or occupational disruption needs to be included in any definition of addiction we may use.

Too much reading causes... heat rashes?

But as Feifer points out in his podcast, both popularizing medical language and the fear that new technologies are addictive aren't totally modern phenomena.

Take, for instance, the concept of "reading mania."

In the 18th Century, an author named J. G. Heinzmann claimed that people who read too many novels could experience something called "reading mania." This condition, Heinzmann explained, could cause many symptoms, including: "weakening of the eyes, heat rashes, gout, arthritis, hemorrhoids, asthma, apoplexy, pulmonary disease, indigestion, blocking of the bowels, nervous disorder, migraines, epilepsy, hypochondria, and melancholy."

"That is all very specific! But really, even the term 'reading mania' is medical," Feifer says.

"Manic episodes are not a joke, folks. But this didn't stop people a century later from applying the same term to wristwatches."

Indeed, an 1889 piece in the Newcastle Weekly Courant declared: "The watch mania, as it is called, is certainly excessive; indeed it becomes rabid."

Similar concerns have echoed throughout history about the radio, telephone, TV, and video games.

"It may sound comical in our modern context, but back then, when those new technologies were the latest distraction, they were probably really engaging. People spent too much time doing them," Feifer says. "And what can we say about that now, having seen it play out over and over and over again? We can say it's common. It's a common behavior. Doesn't mean it's the healthiest one. It's just not a medical problem."

Few today would argue that novels are in-and-of-themselves addictive — regardless of how voraciously you may have consumed your last favorite novel. So, what happened? Were these things ever addictive — and if not, what was happening in these moments of concern?

People are complicated, our relationship with new technology is complicated, and addiction is complicated — and our efforts to simplify very complex things, and make generalizations across broad portions of the population, can lead to real harm.

JASON FEIFER HOST OF BUILD FOR TOMORROW

There's a risk of pathologizing normal behavior, says Joel Billieux, professor of clinical psychology and psychological assessment at the University of Lausanne in Switzerland, and guest on the podcast. He's on a mission to understand how we can suss out what is truly addictive behavior versus what is normal behavior that we're calling addictive.

For Billieux and other professionals, this isn't just a rhetorical game. He uses the example of gaming addiction, which has come under increased scrutiny over the past half-decade. The language used around the subject of gaming addiction will determine how behaviors of potential patients are analyzed — and ultimately what treatment is recommended.

"For a lot of people you can realize that the gaming is actually a coping (mechanism for) social anxiety or trauma or depression," says Billieux.

"Those cases, of course, you will not necessarily target gaming per se. You will target what caused depression. And then as a result, If you succeed, gaming will diminish."

In some instances, a person might legitimately be addicted to gaming or technology, and require the corresponding treatment — but that treatment might be the wrong answer for another person.

"None of this is to discount that for some people, technology is a factor in a mental health problem," says Feifer.

"I am also not discounting that individual people can use technology such as smartphones or social media to a degree where it has a genuine negative impact on their lives. But the point here to understand is that people are complicated, our relationship with new technology is complicated, and addiction is complicated — and our efforts to simplify very complex things, and make generalizations across broad portions of the population, can lead to real harm."

Behavioral addiction is a notoriously complex thing for professionals to diagnose — even more so since the latest edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5), the book professionals use to classify mental disorders, introduced a new idea about addiction in 2013.

"The DSM-5 grouped substance addiction with gambling addiction — this is the first time that substance addiction was directly categorized with any kind of behavioral addiction," Feifer says.

"And then, the DSM-5 went a tiny bit further — and proposed that other potentially addictive behaviors require further study."

This might not sound like that big of a deal to laypeople, but its effect was massive in medicine.

"Researchers started launching studies — not to see if a behavior like social media use can be addictive, but rather, to start with the assumption that social media use is addictive, and then to see how many people have the addiction," says Feifer.

Learned helplessness

The assumption that a lot of us are addicted to technology may itself be harming us by undermining our autonomy and belief that we have agency to create change in our own lives. That's what Nir Eyal, author of the books Hooked and Indistractable, calls 'learned helplessness.'

"The price of living in a world with so many good things in it is that sometimes we have to learn these new skills, these new behaviors to moderate our use," Eyal says. "One surefire way to not do anything is to believe you are powerless. That's what learned helplessness is all about."

So if it's not an addiction that most of us are experiencing when we check our phones 90 times a day or are wondering about what our followers are saying on Twitter — then what is it?

"A choice, a willful choice, and perhaps some people would not agree or would criticize your choices. But I think we cannot consider that as something that is pathological in the clinical sense," says Billieux.

Of course, for some people technology can be addictive.

"If something is genuinely interfering with your social or occupational life, and you have no ability to control it, then please seek help," says Feifer.

But for the vast majority of people, thinking about our use of technology as a choice — albeit not always a healthy one — can be the first step to overcoming unwanted habits.

For more, be sure to check out the Build for Tomorrow episode here.

Why the U.S. and Belgium are culture buddies

The Inglehart-Welzel World Cultural map replaces geographic accuracy with closeness in terms of values.

Credit: World Values Survey, public domain.
Strange Maps
  • This map replaces geography with another type of closeness: cultural values.
  • Although the groups it depicts have familiar names, their shapes are not.
  • The map makes for strange bedfellows: Brazil next to South Africa and Belgium neighboring the U.S.
Keep reading Show less

CT scans of shark intestines find Nikola Tesla’s one-way valve

Evolution proves to be just about as ingenious as Nikola Tesla

Credit: Gerald Schömbs / Unsplash
Surprising Science
  • For the first time, scientists developed 3D scans of shark intestines to learn how they digest what they eat.
  • The scans reveal an intestinal structure that looks awfully familiar — it looks like a Tesla valve.
  • The structure may allow sharks to better survive long breaks between feasts.
Keep reading Show less

Mammals dream about the world they are entering even before birth

A study finds that baby mammals dream about the world they are about to experience to prepare their senses.

Michael C. Crair et al, Science, 2021.
Surprising Science
  • Researchers find that babies of mammals dream about the world they are entering.
  • The study focused on neonatal waves in mice before they first opened their eyes.
  • Scientists believe human babies also prime their visual motion detection before birth.
Keep reading Show less
Quantcast