Re: Who are we?
Virginia Postrel is a political and cultural writer who is a contributing editor for The Atlantic, editor-in-chief of DeepGlamour.net, and the author of The Substance of Style and The Future and Its Enemies. She is currently writing a book on glamour for The Free Press. She previously wrote an economics column in The New York Times for six years, served as editor of Reason and has worked as a reporter for Inc. Magazine and The Wall Street Journal. She serves on the Board of Directors of the Foundation for Individual Rights and is a popular blogger and speaker. She was educated at Princeton University and lives in Los Angeles.
Virginia Postrel: Well I think that there is a drive in human beings, and perhaps in some of our ancestors . . . ape ancestors as well . . . There’s something that happens to human beings where there is a kind of dissatisfaction. Where it can be as simple as a tool that doesn’t work very well, and you modify it so it works better. There is sort of a drive to make incremental improvements. And it could be, you know, you really hate the way your parents behaved towards you. So when you have kids you’re gonna do it a different way. And maybe it’s better and maybe it’s worse. And your kids then do it a different way. And it can be as simple as modifying recipes. It can be as big as, you know, writing the U.S. Constitution and sort of creating a new country. And there’s a learning process that takes place with that. It’s a lot of modest changes and experiments that add up over time to major progress. And you don’t necessarily know where you’re headed. There’s a writer named Henry Patrosky who’s a civil engineering professor at Duke. And he writes about the evolution of technical things . . . of objects and artifacts. And he has this great phrase: “Form follows failure” which is of course a play on “Form follows function.” And his idea is when you have an artifact, as soon as it exists, you find the things that you don’t like about it. And the existence of the initial artifact allows you to innovate and say, “Oh well, this is how we’d like to improve it.” And I think that’s a process that goes far beyond artifacts. It is how we get technological improvements, but it is not the only way. So that’s . . . That doesn’t account for everything of how we’ve done all this, but that’s a lot of it.
There is a drive to make incremental improvements.
It marks a major shift in the government's battle against the opioid crisis.
- The nation's sixth-largest drug distributor is facing criminal charges related to failing to report suspicious drug orders, among other things.
- It marks the first time a drug company has faced criminal charges for distributing opioids.
- Since 1997, nearly 222,000 Americans have died from prescription opioids, partly thanks to unethical doctors who abuse the system.
Upstreamism advocate Rishi Manchanda calls us to understand health not as a "personal responsibility" but a "common good."
- Upstreamism tasks health care professionals to combat unhealthy social and cultural influences that exist outside — or upstream — of medical facilities.
- Patients from low-income neighborhoods are most at risk of negative health impacts.
- Thankfully, health care professionals are not alone. Upstreamism is increasingly part of our cultural consciousness.
The real Game of Thrones might be who best leverages the hit HBO show to shape political narratives.
- Sen. Elizabeth Warren argues that Game of Thrones is primarily about women in her review of the wildly popular HBO show.
- Warren also touches on other parallels between the show and our modern world, such as inequality, political favoritism of the elite, and the dire impact of different leadership styles on the lives of the people.
- Her review serves as another example of using Game of Thrones as a political analogy and a tool for framing political narratives.
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