Nina DiSesa: Can leadership be taught?

Nina DiSesa: How can we teach that kind of the leadership, it is a good question, I have always try to do that. I mean part of my job is creative director has always been to nurture other creative people towards that end, I try to, we always try to create new creative directors and not all creative people are creative direct material. You actually have to have two sides of your brain, your keep savvy your right side functioning, you have to have a little bit of you left side and they have to kind of talk to each other, otherwise you cannot be a creative director, but I think you can teach them to do that if they have an inherent desire to have that kind of role, but I always say don’t go down that path unless you really want to, because there is no turning back once you start to be the leader.

Recorded on: 2/29/08

Not all creative people are creative "direct material." In order to be a creative leader, says Nina DiSesa, you have to keep your brain neatly divided in half.

What we want from horror is a cardiac jump-start, study suggests

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    First off, let's be clear what we mean by "hear" here. (Here, here!)

    Sound, as we know it, requires air. What our ears capture is actually oscillating waves of fluctuating air pressure. Cilia, fibers in our ears, respond to these fluctuations by firing off corresponding clusters of tones at different pitches to our brains. This is what we perceive as sound.

    All of which is to say, sound requires air, and space is notoriously void of that. So, in terms of human-perceivable sound, it's silent out there. Nonetheless, there can be cyclical events in space — such as oscillating values in streams of captured data — that can be mapped to pitches, and thus made audible.

    BepiColombo

    Image source: European Space Agency

    The European Space Agency's BepiColombo spacecraft took off from Kourou, French Guyana on October 20, 2019, on its way to Mercury. To reduce its speed for the proper trajectory to Mercury, BepiColombo executed a "gravity-assist flyby," slinging itself around the Earth before leaving home. Over the course of its 34-minute flyby, its two data recorders captured five data sets that Italy's National Institute for Astrophysics (INAF) enhanced and converted into sound waves.

    Into and out of Earth's shadow

    In April, BepiColombo began its closest approach to Earth, ranging from 256,393 kilometers (159,315 miles) to 129,488 kilometers (80,460 miles) away. The audio above starts as BepiColombo begins to sneak into the Earth's shadow facing away from the sun.

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    In addition to making for some cool sounds, the phenomenon allowed the ISA team to confirm just how sensitive their instrument is. "This is an extraordinary situation," says Carmelo. "Since we started the cruise, we have only been in direct sunshine, so we did not have the possibility to check effectively whether our instrument is measuring the variations of the force of the sunlight."

    When the craft arrives at Mercury, the ISA will be tasked with studying the planets gravity.

    Magentosphere melody

    The second clip is derived from data captured by BepiColombo's MPO-MAG magnetometer, AKA MERMAG, as the craft traveled through Earth's magnetosphere, the area surrounding the planet that's determined by the its magnetic field.

    BepiColombo eventually entered the hellish mangentosheath, the region battered by cosmic plasma from the sun before the craft passed into the relatively peaceful magentopause that marks the transition between the magnetosphere and Earth's own magnetic field.

    MERMAG will map Mercury's magnetosphere, as well as the magnetic state of the planet's interior. As a secondary objective, it will assess the interaction of the solar wind, Mercury's magnetic field, and the planet, analyzing the dynamics of the magnetosphere and its interaction with Mercury.

    Recording session over, BepiColombo is now slipping through space silently with its arrival at Mercury planned for 2025.

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