How to Look at a Photograph

Question: What should one look for in a photograph?

Edward Burtynsky: You have to give yourself over to the visual experience and try to drop into the kind of space both intellectually and psychologically and visually of why is the artist showing me this, this place, what in the context of what they’ve laid out maybe in their artist statement, in their… you know and if you look at the book and or the images how do I begin to assimilate these images and some of them may be more…  You know some of the connections may be more oblique and maybe never really meant for you to really fully comprehend because you’re not the artist, but you can still I think move through the work and appreciate the kind of I guess intention of the artist as well as your own subjective reading of it, so that you’re not… every person is going to get a slightly different take off of a group of 50 or 60 or 100 images, so I would say for the viewer to kind of immerse yourself.  You know clear your mind.  Get rid of all your problems.  Have a peaceful moment where you can kind of just flip through and just look at them.  Let them kind of wash over you.  Go back to the ones afterwards that you like a lot and somehow say something more to you than other ones and try to understand the kind of complex set of ideas and narratives and visual kind of connections that might be there to be had and there isn’t any one way to read a visual book.  It’s about a different language and it’s about how our brains respond to imagery which is different than words and it may be more emotional and it may be more kind of a sense of wonder like wow, I didn’t know that our world could look like this or look at you know or I didn’t know we were up to this.  You know there is a whole bunch of things that you can learn from images and they do something.  Like for instance, you can…  You know if all you ever saw of let’s say the Gulf tragedy is just words.  Like if no images were invented.  You just everyday reports, “There is more spills.”  “It shows up as you know brown on the top of blue water and it’s about a quarter mile wide and it’s five kilometers long and the sheen looks like an oil spill near a gas station after a rain.”  And so you could try and explain to somebody what that disaster looks like, but it will never have the same effect as looking at a really good picture and you went oh, that is what is happen, okay, I get it.  You know war is the same way.  You can say there is a conflict and say… but then all of the sudden you see you know the people who have been affected and people have been hurt, legs blown off, whatever.  It’s like uh-oh that’s… there is really something terrible happening here.  So images somehow close the circle that intellectually we can understand that there is something going on in the world, but until the images are really there I don’t think it really lodges itself in our consciousness in the same way, so I do believe that between the words and the images it locks into our consciousness in a much more powerful way and that is where still images and the TV and the news reports and all that also affect us, somehow I think still images, really good still images have a greater staying power in our consciousness.

Recorded June 21, 2010

Interviewed by Jessica Liebman

You have to "give yourself over to the visual experience" and try to understand an image's intellectual and psychological context.

22 months of war - condensed in a 1-minute video

No, the Syrian civil war is not over. But it might be soon. Time for a recap

Strange Maps
  • The War in Syria has dropped off the radar, but it's not over (yet)
  • This 1-minute video shows how the fronts have moved – and stabilised – over the past 22 months
  • Watching this video may leave you both better informed, and slightly queasy: does war need a generic rock soundtrack?
Keep reading Show less

Bespoke suicide pods now available for death in style

Sarco assisted suicide pods come in three different styles, and allow you to die quickly and painlessly. They're even quite beautiful to look at.

The Sarco assisted suicide pod
Technology & Innovation

Death: it happens to everyone (except, apparently, Keanu Reeves). But while the impoverished and lower-class people of the world die in the same ol' ways—cancer, heart disease, and so forth—the upper classes can choose hip and cool new ways to die. Now, there's an assisted-suicide pod so chic and so stylin' that peeps (young people still say peeps, right?) are calling it the "Tesla" of death... it's called... the Sarco! 

Keep reading Show less

How to bring more confidence to your conversations

Entrepreneur and author Andrew Horn shares his rules for becoming an assured conversationalist.

content.jwplatform.com
Videos
  • To avoid basing action on external validation, you need to find your "authentic voice" and use it.
  • Finding your voice requires asking the right questions of yourself.
  • There are 3-5 questions that you would generally want to ask people you are talking to.
Keep reading Show less