How to use a thesaurus to actually improve your writing
Looking up big, fancy words won't make your writing better. But a thesaurus can help – if you use it like this.
MARTIN AMIS: Famously, Nabokov said – or infamously, perhaps it's now a synonym for that too – said, "There is only one school of writing, that of talent." And it's axiomatic that you can't teach talent. Of course you can't. But what you can do is instill certain principles, and the avoidance of ugly repetition is very important. Repetition has its uses and anything is better than trying to avoid repetition through what they call "elegant variation." This is an example from a biography of Lincoln: "While in Chicago he appeared to back concessions to the South. In New York he seemed to support…"
You know, there's no point in using a different word when there's no change in meaning.
And that's just something that the writer was taught when they were 12 – never to use a word twice in a sentence – and they've become terrorized by that and then addicted to a new "ingenuity" where you avoid it. But I'm talking more about sounds and rhythms.
The Nabokov novel we know of as "Invitation to a Beheading" was originally called – not for very long – "Invitation to an Execution". Now Nabokov said, "Of course I avoided the repetition of the suffix so chose to call it 'Invitation to a Beheading' rather than 'Invitation to an Execution', which is sort of rhythmically ugly."
You've got to think about the bits of the word as well as the word in its totality. Avoiding repetition of prefixes and suffixes as well as rhymes and half-rhymes, unintentional alliteration, et cetera, can be achieved by anyone simply by using a dictionary and a thesaurus. People think thesauruses are there so you can look up a fancy word for 'big' or a fancy word for 'long'. That's not what a thesaurus is for, in my view. A thesaurus is – you come to a point in a sentence and it's usually towards the end of a sentence where you're unhappy with the word you've chosen not because of its meaning but because of its rhythm. And you may want a monosyllable for this concept or you may want a trisyllable. So you look in the thesaurus, you find a simile that has the right number, you know, for the whole sentence to maintain its rhythmical integrity. And you just do that by going to your thesaurus. And also going to your dictionary.
Do not use words against the derivation. For example, dilapidate. It's fine to talk about a dilapidated building but not fine to talk about a dilapidated hedge, because dilapidated comes from 'lapis', which means 'stone'. So a really careful writer will make sure that they're not visiting an indecorum on the word's derivation. So it's very labor intensive.
I mean it takes a long time, sometimes, to get your sentence right, rhythmically, and to clear the main words in it from misuse. And all you're winning is the respect of other serious writers. But I think that any amount of effort is worth it for that.
And it's easy enough to find alternatives without committing the dreadful sin of elegant variation. And it just involves you in looking at reference books for a couple of minutes. I look in the dictionary, I check words in the dictionary a dozen times a day at least. And you find out very strange and interesting things. For instance, 'widow' originally meant just 'empty'. It's an adjective meaning empty.
Now that's part of your – when you look up a word in the dictionary you own it in a way you didn't before. You know what it comes from and you know its exact meaning. And whenever I do that – and I do it all the time – it's as if you feel a gray cell being born in your head, a little addition to your store of knowledge. And while all the other cells are dying in a kind of genocide of the aging process you can restore it, and that's what it feels like. And it fortifies you.
- Using a thesaurus to find larger or more impressive words is misguided, says Martin Amis. Instead, use a thesaurus to find words with the perfect rhythm for your sentence.
- For example, the Nabokov novel "Invitation to a Beheading" was originally called – not for very long – "Invitation to an Execution". Nabokov nixed the repetitive suffix.
- A dictionary is also a writer's best friend; looking up words has a rejuvenating effect on your mind, says Amis. "When you look up a word in the dictionary you own it in a way you didn't before. You know what it comes from and you know its exact meaning."
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Beards and perceptions of masculinity<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMjU5OTg0MC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0NzkxMjM3N30.cH-GqNwP5GVqvstgJWAhBPn1B_lYpVEAI0I7iax7EQw/img.jpg?width=1245&coordinates=0%2C1900%2C0%2C849&height=700" id="caae6" class="rm-shortcode" data-rm-shortcode-id="cb0a355a4e8e1899789bc45f3f7aef56" data-rm-shortcode-name="rebelmouse-image" />
Photo Credit: Wikimedia<p>The study used 919 American (mostly white) women ages 18-70 who rated 30 pictures of men they were shown with various stages of facial hair growth. The photographs depicted men with faces that had been digitally altered to look more feminine or more masculine, with a beard and without a beard. The women rated the men according to perceived attractiveness for long-term and short-term relationships. The study found that the more facial hair the men had, the higher the men were rated on their attractiveness, particularly for their suitability for a long-term relationship.</p><p>Part of this might be attributed to facial masculinity — i.e. protruding brow ridge, wide cheekbones, thick jawline, and deeply set narrow eyes — which conveys information to a woman about a man's underlying health and formidability. Women tend to associate more masculine faces with physical strength and social assertiveness. It can also indicate a man with a superior immune response. The researchers suggested that their findings favoring bearded men could be due to the fact that facial hair enhances the masculine facial features on a man's face, like creating the illusion of a thicker jaw line. This could communicate direct benefits to women like resources and protection that would enhance survival among mothers and their infants. In other words, while a beard doesn't mean superior genetics in and of itself, it might be a primitive, ornamental way of saying, "Hey girl, I'm a testosterone-fueled lean, mean, pathogen fighting machine." <br></p><p>It could also be that a beard becomes its own destiny. The researchers in this study cite prior research that found that by growing a beard, men felt more masculine and had higher levels of serum testosterone, which was linked to a higher level of social dominance. They also tended to subscribe to more old-school beliefs about gender roles in their relationships with women as compared to men with clean-shaven faces.<span></span><br></p>
What does disgust have to do with beard preference?<p>Obviously, not all women dig beards. The researchers were particularly interested in what traits make a women prefer bearded men over clean-shaven faces. They looked into several factors including a woman's disgust levels on various concepts, her desire to become pregnant, and her exposure to facial hair in her personal life. </p><p>According to the study, women who were not into facial hair were turned-off by potential parasites or other critters they imagined could be in the hair or skin. Women ranking high on this "ectoparasite disgust" scale might have viewed beards as a sign of poor grooming habits. However, women who ranked higher in levels of "pathogen" did find the bearded men to be desirable, possibly because they perceived beards as a signal of good health and immune function. An intriguing discovery in the study was links to morality. Women who displayed higher levels of "moral disgust," or feelings of repugnance toward taboo behaviors, were more likely to prefer hairy faces. The authors opined that this could reflect a link between beardedness, politically conservative outlooks, and traditional views regarding performances of masculinity in heterosexual relationships.</p>
Additional findings<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMjU5OTg1My9vcmlnaW4uZ2lmIiwiZXhwaXJlc19hdCI6MTYyNDI1NjUyOX0.P9B8WbmJR0q4nfzYZKbuNSA-2SAigVWJgrQE-_Gxlds/img.gif?width=980" id="49143" class="rm-shortcode" data-rm-shortcode-id="2ed3b1d6f20fc170bf2974646e565e8d" data-rm-shortcode-name="rebelmouse-image" />Giphy<p>The correlations that existed between married and single women's rating on the attractiveness of beards were not particularly clear, although the researchers noted that single and married women who wanted children tended to find beards more attractive than the women who didn't want children. They also found that women with bearded husbands found beards to be more attractive, which might indicate that social exposure to beards influences how desirable they are perceived of as being. Or it could be that men with wives who like beards grow beards.</p><p>It's important to note that culture plays a huge role in how attractive women perceive certain male characteristics as being. This study looked at a small, culturally specific group of American women, so no big, universal claims should be made about masculinity, facial hair, and male desirability to women. However, research like this is important in highlighting how human grooming decisions are driven by much more than fashion trends. Sociobiological, economic, and ecological factors all play a part in the way we choose to present ourselves.</p>
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