The One Divide Between Porn and Art that Can Never Be Overcome
Can pornography be art? No, argues Alva Noë, because porn is an instrument with a certain function in mind (sexual arousal) and works of art are not instruments.
Alva Noë is a writer and a philosopher who lives in New York City and Berkeley. His work focuses on the nature of mind and human experience. He is the author of Action in Perception (The MIT Press, 2004), Out of Our Heads (Farrar Straus and Giroux, 2009), Varieties of Presence (Harvard University Press, 2012), and Strange Tools (2015). Noë, who received his Ph.D. from Harvard in 1995, is Professor of Philosophy at the University of California in Berkeley, where he is also a member of the Institute for Cognitive and Brain Sciences and the Center for New Media. He has been Distinguished Professor of Philosophy at the Graduate Center of the City University of New York. He has been philosopher-in-residence with The Forsythe Company and has recently begun a performative-lecture collaboration with Deborah Hay. Noë is a 2012 recipient of a Guggenheim fellowship and a weekly contributor to National Public Radio's science blog 13.7: Cosmos and Culture.
Alva Noë: Pornography is an instrument with a certain function in mind. People use pornography to get sexual pleasure. Frankly it’s for masturbating to. That’s what it’s for. On my theory, works of art are not instruments. They don’t have functions. They’re not tools. Works of art subvert functions. They disrupt functions. They interrupt functions. And they do that because the disruption, interruption can be revelatory. Because think about a simple tool like a doorknob. We use doorknobs effortlessly. There’s the door. Turn it; walk right through. We don’t stop and think about it. If we do have to stop and think about it, there’s probably some problem with the doorknob’s design. But think how much is presupposed by a doorknob. That we have a hand like the kind of hands that we have. That our bodies are the right size that we are. That we live in buildings. That we get from one room to another. So much is presupposed by the institution of the doorknob.
So what would a strange doorknob be? It would be a doorknob that somehow didn’t work or was in the wrong place. And that therefore called all of the stuff just hidden in the background into the foreground and that’s the kind of thing I mean by saying a strange tool reveals us to ourselves. So in one sense I think there could be pornographic art. There could be art that worked with sex and that worked with explicit sex and that worked with the ingredients of fantasy and the erotic and all the other things that go into pornography — violence, degradation, all the different things that go into pornography. My only stipulation is that it wouldn’t be good for masturbating because it wouldn’t be giving you what you want because art is in the business of questioning what your wants presuppose. Pornography never defies expectations. If it does, it doesn’t perform its function. Just as a doorknob that you need to stop and wonder how to use wouldn’t be a very good doorknob. But art happens precisely when expectations are defied. Art happens precisely when that which we’re taking for granted is forced on — we’re forced to reflect on what we’ve been taking for granted. And that’s why I don’t think there can be pornographic art.
Can pornography be art? No, argues Alva Noë, because porn is an instrument with a certain function in mind (sexual arousal) and works of art are not instruments. They are not tools. They have no function. Instead, they subvert functions. They disrupt them.
Pornography never defies expectations. If it does, it doesn’t perform its function. That's why, according to Noë, it can't be classified as art.
Philosopher Alva Noë's latest book is titled Strange Tools: Art and Human Nature.
Pulitzer Prize-winner Jared Diamond explains why some nations make it through epic crises and why others fail.
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- The U.S. tends to focus on "bad countries" like China, Canada and Mexico as the root of its problems, however Diamond points out the missing piece: Americans are generating their own problems.
- The crisis the U.S. is experiencing is not cause for despair. The U.S. has survived many tragedies, such as the War of Independence and the Great Depression – history is proof that the U.S. can get through this current crisis too.
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- For centuries cultures have personified death to give this terrifying mystery a familiar face.
- Modern science has demystified death by divulging its biological processes, yet many questions remain.
- Studying death is not meant to be a morbid reminder of a cruel fate, but a way to improve the lives of the living.
When it comes to sniffing out whether a source is credible or not, even journalists can sometimes take the wrong approach.
- We all think that we're competent consumers of news media, but the research shows that even journalists struggle with identifying fact from fiction.
- When judging whether a piece of media is true or not, most of us focus too much on the source itself. Knowledge has a context, and it's important to look at that context when trying to validate a source.
- The opinions expressed in this video do not necessarily reflect the views of the Charles Koch Foundation, which encourages the expression of diverse viewpoints within a culture of civil discourse and mutual respect.