A Year With Wagner
Question: What pieces have been particularly influential in your life?
Pierre Laurent Aimard: There are many. The most important probably belongs to the very first part of the ****. For instance, when my parents, as musical amateur played probably in a quite amateur way on a very modest upright piano, melodies that I still remember, or when my neighbor on the sixth floor when I went and slept at night, played as an amateur pianist, compositions by Schubert and Brahms. But I think that very important when I became a teenager the different ways to be passionate in music. This could be the way of the romantic, like Wagner with "Tristan" that has been, for me, a reason for living in music for an entire year, and learn old music by heart and could say the whole text by heart, or this could be the way of leaving creators to transform the passion in music into new aesthetics and new languages.
Question: How can we improve our appreciation of classical music?
Pierre Laurent Aimard: First of all, I'd like to say that the educational programs should be much stronger to answer to your question. And if we see – if we observed some countries that have really got some visions from musical education, like Venezuela, Japan, or Finland, we see that the answer is much easier to do. In fact, if one thinks about starting in education, it could be any kind of music. Mozart, Stravinsky, Elliott Carter, or many music from this planet, if the education is well done, this music can make sense and become familiar to anybody, and especially to young people.
Question: At what point did you know you had musical talent?
Pierre Laurent Aimard: Well, at the start, I realized that I had a passion, I would say. A talent, I had no idea, but having played a couple of notes on an upright piano at the house of a Grand-Uncle, I had felt an extremely strong attraction and a kind of necessity to play this instrument.
As the classical pianist explains, the beginnings of a career in music are often formed during youth learning how to "live in music."
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Research by neuroscientists at MIT's Picower Institute for Learning and Memory helps explain how the brain regulates arousal.
The big day has come: You are taking your road test to get your driver's license. As you start your mom's car with a stern-faced evaluator in the passenger seat, you know you'll need to be alert but not so excited that you make mistakes. Even if you are simultaneously sleep-deprived and full of nervous energy, you need your brain to moderate your level of arousal so that you do your best.
A disturbing interview given by a KGB defector in 1984 describes America of today and outlines four stages of mass brainwashing used by the KGB.
- Bezmenov described this process as "a great brainwashing" which has four basic stages.
- The first stage is called "demoralization" which takes from 15 to 20 years to achieve.
- According to the former KGB agent, that is the minimum number of years it takes to re-educate one generation of students that is normally exposed to the ideology of its country.
When these companies compete, in the current system, the people lose.
- When a company reaches the top of the ladder, they typically kick it away so that others cannot climb up on it. The aim? So that another company can't compete.
- When this happens in the pharmaceutical world, certain companies stay at the top of the ladder, through broadly-protected patents, at the cost of everyday people benefitting from increased competition.
- Since companies have worked out how to legally game the system, Amin argues we need to get rid of this "one size fits all" system, which treats product innovation — "tweaks" — the same as product invention.
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