You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
with 'Hadestown' creator Anaïs Mitchell - sometimes the god speaks through you
With 14 Tony nominations, HADESTOWN is redefining what a Broadway musical can be. Its creator, songwriter/singer Anaïs Mitchell sits down with Jason Gots to talk about the myth of Orpheus and Eurydice, making old things new, and leaving her songwriting cave (temporarily) for the theater.
- The creative process, from hacking away at rhymes in a windowless, concrete box to unpredictably transcendent moments on stage.
- A song can't change the world on its own, but it maybe can change the people who hear it.
Anaïs Mitchell and host Jason Gots, at Big Think's studios
Among other things, music can be medicine. Like a vaccine, it sometimes works by giving your body a little taste of the disease. Other times, of course, you just wanna dance, and James Brown might be just what you need. But the medicine songs I'm talking about are the ones that break your heart open no matter many times you hear them. And you want them to—because that's what it feels like to be alive.
Nobody knows this better than my guest today, singer-songwriter Anaïs Mitchell. Like the centuries of blues and folk songs that echo through it, transubstantiated by her voice and guitar into something almost too beautiful to bear, her music is powerful medicine.
Anaïs wrote all the songs, lyrics and the book of the new (14x Tony-nominated!) Broadway musical, HADESTOWN, directed by Rachel Chavkin. It makes new again the ancient story of the singer-songwriter Orpheus and his lover Eurydice, who he follows all the way to hell, and leads most of the way back.
What can 3D printing do for medicine? The "sky is the limit," says Northwell Health researcher Dr. Todd Goldstein.
- Medical professionals are currently using 3D printers to create prosthetics and patient-specific organ models that doctors can use to prepare for surgery.
- Eventually, scientists hope to print patient-specific organs that can be transplanted safely into the human body.
- Northwell Health, New York State's largest health care provider, is pioneering 3D printing in medicine in three key ways.
Michael Dowling, Northwell Health's CEO, believes we're entering the age of smart medicine.
- The United States health care system has much room for improvement, and big tech may be laying the foundation for those improvements.
- Technological progress in medicine is coming from two fronts: medical technology and information technology.
- As information technology develops, patients will become active participants in their health care, and value-based care may become a reality.
Secret Spice Girls dance parties of the wives of anti-western morality police. Book deals for political prisoners still in jail. Iran is a land of contradictions where oppression and freedom uneasily coexist. Born in France, Delphine Minoui lived in Tehran for 10 years to understand her grandparents' country from the inside.
- Why even liberal Iranians think the revolution was worth it
- What the west gets right and wrong about Iran
Tragedy in art, from Ancient Greece to Breaking Bad, resists all our efforts to tie reality up in a neat bow, to draw some edifying lesson from it. Instead it confronts us with our own limitations, leaving us scrabbling in the rubble of certainty to figure out what's next.
- Why democracy has been unpopular with philosophers
- Tragedy's reminder that the past isn't finished with us
- …and why we need art in the first place
The film becomes the story of the making of the film. From his Monty Python days to now, Don Quixote is a metaphor for Terry Gilliam's whole career, and for his 30 year project of making a film about a film about the knight of the woeful countenance. We talk about Muppets, time, and basically everything else two humans can talk about.
- An American barbarian in Monty Python
- Chaos Muppets vs. Order Muppets (and which one Terry Gilliam is)
- Artistic ego: avoiding the fate of Icarus, Job, etc.
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