You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
with 'Hadestown' creator Anaïs Mitchell - sometimes the god speaks through you
With 14 Tony nominations, HADESTOWN is redefining what a Broadway musical can be. Its creator, songwriter/singer Anaïs Mitchell sits down with Jason Gots to talk about the myth of Orpheus and Eurydice, making old things new, and leaving her songwriting cave (temporarily) for the theater.
- The creative process, from hacking away at rhymes in a windowless, concrete box to unpredictably transcendent moments on stage.
- A song can't change the world on its own, but it maybe can change the people who hear it.
Anaïs Mitchell and host Jason Gots, at Big Think's studios
Among other things, music can be medicine. Like a vaccine, it sometimes works by giving your body a little taste of the disease. Other times, of course, you just wanna dance, and James Brown might be just what you need. But the medicine songs I'm talking about are the ones that break your heart open no matter many times you hear them. And you want them to—because that's what it feels like to be alive.
Nobody knows this better than my guest today, singer-songwriter Anaïs Mitchell. Like the centuries of blues and folk songs that echo through it, transubstantiated by her voice and guitar into something almost too beautiful to bear, her music is powerful medicine.
Anaïs wrote all the songs, lyrics and the book of the new (14x Tony-nominated!) Broadway musical, HADESTOWN, directed by Rachel Chavkin. It makes new again the ancient story of the singer-songwriter Orpheus and his lover Eurydice, who he follows all the way to hell, and leads most of the way back.
As religious diversity increases in the United States, we must learn to channel religious identity into interfaith cooperation.
- Religious diversity is the norm in American life, and that diversity is only increasing, says Eboo Patel.
- Using the most painful moment of his life as a lesson, Eboo Patel explains why it's crucial to be positive and proactive about engaging religious identity towards interfaith cooperation.
- The opinions expressed in this video do not necessarily reflect the views of the Charles Koch Foundation, which encourages the expression of diverse viewpoints within a culture of civil discourse and mutual respect.
When a subculture like drag goes global, it's easy to forget the courage it took, and still takes, for so many people to live on the outside what they know they are on the inside. The maker of WIG and GAGA FIVE FOOT TWO on bravery, authenticity, and the eternal power of youth.
- "For a lot of those kids drag was more punk than punk. Ok, you could shave your head and put on a spike collar… or you could throw on a wig and heels and traipse around Times Square. That was brave. That was radical."
- Lady Gaga writes a hook and the whole world suddenly takes notice…I always thought of it as casting a spell. It's the closest thing to actual magic. Because imagine an incantation that you can just repeat for 3 minutes and it can grab the attention of the entire world."
The wonder and the ethics of deep time. The "wood-wide-web". The claustrophobia of the Anthropocene. In our 200th episode, UNDERLAND author Robert MacFarlane takes us on a journey deep into the Earth and ourselves.
- "We think of ourselves as this surface species. Of builders. But we are a species of burrowers and borers. And we are leaving warrens behind us that dwarf any ant's nest…"
- "That handprint on the cave wall is testimony to that urge to move into darkness in search of meaning—in search of different orders of time."
An ordained Lama in a Tibetan Buddhist lineage, Lama Rod grew up a queer, black male within the black Christian church in the American south. Navigating all of these intersecting, evolving identities has led him to a life's work based on compassion for self and others.
- "What I'm interested in is deep, systematic change. What I understand now is that real change doesn't happen until change on the inside begins to happen."
- "Masculinity is not inherently toxic. Patriarchy is toxic. We have to let that energy go so we can stop forcing other people to do emotional labor for us."
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