You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
The philosophy of tragedy & the tragedy of philosophy - with Simon Critchley
Tragedy in art, from Ancient Greece to Breaking Bad, resists all our efforts to tie reality up in a neat bow, to draw some edifying lesson from it. Instead it confronts us with our own limitations, leaving us scrabbling in the rubble of certainty to figure out what's next.
- Why democracy has been unpopular with philosophers
- Tragedy's reminder that the past isn't finished with us
- …and why we need art in the first place
Well into her 90's, my grandma Selma and I had this running conversation about the state of the world. She'd escaped Polish pogroms as a 5 year old, lived through the loss of half her relatives in World War II, and saw the founding of the UN in 1945 and NATO in 1949 as signs of a world sick of chaos and finally ready to be sensible and humane.
Well, that's not really how things turned out, is it. And I spent a lot of time trying and failing to reassure Selma that there was still hope in the world, just on a smaller, more localized scale.
But what if the real problem isn't the world but our obsessive tendency to systematize and sanitize it? My guest today, philosopher Simon Critchley, looks to the form of tragedy in theater—from Ancient Greece to Shakespeare and maybe also to Breaking Bad, as a possible antidote. In his new book TRAGEDY, THE GREEKS, AND US, he shows us how tragedy works, why Plato was scared of it, and how it answers the kind of deflated idealism my grandma Selma was dealing with.
Surprise conversation starters in this episode:
As religious diversity increases in the United States, we must learn to channel religious identity into interfaith cooperation.
- Religious diversity is the norm in American life, and that diversity is only increasing, says Eboo Patel.
- Using the most painful moment of his life as a lesson, Eboo Patel explains why it's crucial to be positive and proactive about engaging religious identity towards interfaith cooperation.
- The opinions expressed in this video do not necessarily reflect the views of the Charles Koch Foundation, which encourages the expression of diverse viewpoints within a culture of civil discourse and mutual respect.
When a subculture like drag goes global, it's easy to forget the courage it took, and still takes, for so many people to live on the outside what they know they are on the inside. The maker of WIG and GAGA FIVE FOOT TWO on bravery, authenticity, and the eternal power of youth.
- "For a lot of those kids drag was more punk than punk. Ok, you could shave your head and put on a spike collar… or you could throw on a wig and heels and traipse around Times Square. That was brave. That was radical."
- Lady Gaga writes a hook and the whole world suddenly takes notice…I always thought of it as casting a spell. It's the closest thing to actual magic. Because imagine an incantation that you can just repeat for 3 minutes and it can grab the attention of the entire world."
The wonder and the ethics of deep time. The "wood-wide-web". The claustrophobia of the Anthropocene. In our 200th episode, UNDERLAND author Robert MacFarlane takes us on a journey deep into the Earth and ourselves.
- "We think of ourselves as this surface species. Of builders. But we are a species of burrowers and borers. And we are leaving warrens behind us that dwarf any ant's nest…"
- "That handprint on the cave wall is testimony to that urge to move into darkness in search of meaning—in search of different orders of time."
An ordained Lama in a Tibetan Buddhist lineage, Lama Rod grew up a queer, black male within the black Christian church in the American south. Navigating all of these intersecting, evolving identities has led him to a life's work based on compassion for self and others.
- "What I'm interested in is deep, systematic change. What I understand now is that real change doesn't happen until change on the inside begins to happen."
- "Masculinity is not inherently toxic. Patriarchy is toxic. We have to let that energy go so we can stop forcing other people to do emotional labor for us."
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