You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Terry Gilliam - The impossible dream
The film becomes the story of the making of the film. From his Monty Python days to now, Don Quixote is a metaphor for Terry Gilliam's whole career, and for his 30 year project of making a film about a film about the knight of the woeful countenance. We talk about Muppets, time, and basically everything else two humans can talk about.
- An American barbarian in Monty Python
- Chaos Muppets vs. Order Muppets (and which one Terry Gilliam is)
- Artistic ego: avoiding the fate of Icarus, Job, etc.
Faith in anything is its own special form of madness. It's a challenge to entropy, and entropy takes no challenge lightly. If there's any better metaphor for this struggle than trying to make a big budget movie with even a shred of integrity, I haven't found it.
On the one hand, you've got this impossible dream. This faith in the beautiful thing that's supposed to emerge at at the end of the process. On the other hand, the process is a hellish sausage-making machine of studio bosses, financing, and acts of god like four days of flash flooding in the middle of your big shoot. You might as well be Don Quixote, doing battle with a windmill.
What kind of masochist would put themselves through that?
My guest today, Terry Gilliam, is that very masochist. And we should be grateful, because his stomach for the fight has given us movies like THE FISHER KING, BRAZIL, 12 MONKEYS and MONTY PYTHON's THE LIFE OF BRIAN. And now, almost 30 years after his first, biblically disastrous attempt to make it, THE MAN WHO KILLED DON QUIXOTE. Starring Adam Driver and Jonathan Pryce, the movie is as funny, thrilling, and unpretentiously deep as the best of Gilliam's work. It's also kind of like one of those Russian matryoshka dolls: a film inside a film inside a film, all of them metaphors for the holy folly of believing in anything at all.
The Man Who Killed Don Quixote is out April 19th in select theaters and on demand video.
Surprise conversation starters in this episode:
What can 3D printing do for medicine? The "sky is the limit," says Northwell Health researcher Dr. Todd Goldstein.
- Medical professionals are currently using 3D printers to create prosthetics and patient-specific organ models that doctors can use to prepare for surgery.
- Eventually, scientists hope to print patient-specific organs that can be transplanted safely into the human body.
- Northwell Health, New York State's largest health care provider, is pioneering 3D printing in medicine in three key ways.
Michael Dowling, Northwell Health's CEO, believes we're entering the age of smart medicine.
- The United States health care system has much room for improvement, and big tech may be laying the foundation for those improvements.
- Technological progress in medicine is coming from two fronts: medical technology and information technology.
- As information technology develops, patients will become active participants in their health care, and value-based care may become a reality.
Convergence 2.0: Engineers are using the "natural genius" of biological systems to produce extraordinary machines—self-assembling batteries, cancer-detecting nanoparticles, super-efficient water filters made from proteins found in blood cells. Neuroscientist and MIT President Emerita Susan Hockfield and host Jason Gots discuss what all this could mean for our future.
- "One of my tools as president was never to talk about change. People hate change. But at MIT no one could deny you the opportunity to do an experiment."
- "If we can create these spaces for convening around our most important problems, We can make progress much faster than we can by insisting that people do the work on their own. And that's the power of the university at its best."
Torn between absolutism on the left and the right, classical liberalism—with its core values of compassion and incremental progress whereby the once-radical becomes the mainstream—is in need of a good defense. And Adam Gopnik is its lawyer.
- Liberalism as "radical pragmatism"
- Intersectionality and civic discourse
- How "a thousand small sanities" tackled drunk driving, normalized gay marriage, and could control gun violence
Personal crises and national crises have more than a few things in common. From Brexit to the partisan divide in America to Germany after World War II, Jared Diamond talks with host Jason Gots about how we get through them (or don't).
- Nations that blame their problems on other nations (or particular groups) don't recover so well from crises.
- The US is consuming at 32x the rate of most African countries. Even if Africa didn't exist, it would be unsustainable.
- What Jared Diamond has learned about human nature from his neighborhood association.
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