You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Area 51 and the epistemology of the unexplained
30 years later, a new investigative documentary on Bob Lazar's claims about Area 51 raises some ghosts, some hell, and some unsettling questions.
- What if aliens have been visiting us all along?
- "Skeptical optimism" and investigations into the unknown
- Neurodiversity and deficiencies as sources of power
Between subjective experience and the things most people can accept as objective facts, there yawns a cavernous gulf. Imagine you're on a stage in front of 50,000 strangers trying to explain what it felt like to fall in love for the first time. There are ways of going about it, but it sure ain't easy. The facts most of us agree upon—things like gravity, our own mortality, global warming—they rest on reason, evidence, science. Clunky and fussy though they sometimes are, these are the best tools we have to test and replicate knowledge species-wide.
But what happens when someone claims that something's objectively true, but reason, evidence, and/or science are insufficient to test it? Claims of hauntings, cryptozoological wonders, or alien technology under US military lock and key? This is the stuff of endless subreddits and secret societies. Of conspiracies and shadow-wars between skeptics and believers. Where evidence is lacking or disputed, things can get hella heated.
My guest today wants to "weaponize your curiosity" in the realms of these extraordinary beliefs. He's Jeremy Kenyon Lockyer Corbell, a mixed-martial artist, a visual artist, and an investigative filmmaker. His new documentary is Bob Lazar: Area 51 and Flying Saucers. It raises some ghosts, some hell, and some unsettling questions.
Surprise conversation starter clips in this episode:
What can 3D printing do for medicine? The "sky is the limit," says Northwell Health researcher Dr. Todd Goldstein.
- Medical professionals are currently using 3D printers to create prosthetics and patient-specific organ models that doctors can use to prepare for surgery.
- Eventually, scientists hope to print patient-specific organs that can be transplanted safely into the human body.
- Northwell Health, New York State's largest health care provider, is pioneering 3D printing in medicine in three key ways.
Michael Dowling, Northwell Health's CEO, believes we're entering the age of smart medicine.
- The United States health care system has much room for improvement, and big tech may be laying the foundation for those improvements.
- Technological progress in medicine is coming from two fronts: medical technology and information technology.
- As information technology develops, patients will become active participants in their health care, and value-based care may become a reality.
Secret Spice Girls dance parties of the wives of anti-western morality police. Book deals for political prisoners still in jail. Iran is a land of contradictions where oppression and freedom uneasily coexist. Born in France, Delphine Minoui lived in Tehran for 10 years to understand her grandparents' country from the inside.
- Why even liberal Iranians think the revolution was worth it
- What the west gets right and wrong about Iran
Tragedy in art, from Ancient Greece to Breaking Bad, resists all our efforts to tie reality up in a neat bow, to draw some edifying lesson from it. Instead it confronts us with our own limitations, leaving us scrabbling in the rubble of certainty to figure out what's next.
- Why democracy has been unpopular with philosophers
- Tragedy's reminder that the past isn't finished with us
- …and why we need art in the first place
The film becomes the story of the making of the film. From his Monty Python days to now, Don Quixote is a metaphor for Terry Gilliam's whole career, and for his 30 year project of making a film about a film about the knight of the woeful countenance. We talk about Muppets, time, and basically everything else two humans can talk about.
- An American barbarian in Monty Python
- Chaos Muppets vs. Order Muppets (and which one Terry Gilliam is)
- Artistic ego: avoiding the fate of Icarus, Job, etc.
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