You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Lisa Brennan-Jobs on growing up without, with, and in spite of her dad
How do you write away the personal hole in your heart when that hole was left by a man half the world idolizes? Steve Jobs' daughter, the writer Lisa Brennan-Jobs, on the process and effects of writing her beautiful memoir SMALL FRY.
- "If I hadn't gone back with a fine-toothed-comb, a lot of these assumptions I had would have just been the air I breathed into my future."
- "There is something like theft in a memoir. If you want to write about yourself you have to write about other people who are unwitting and don't want to be written about…"
The first computer I ever had was the first Apple Macintosh, back in the mid 80's. I can still remember the sense of friendly reassurance from that smiling little icon that popped up on the screen when you turned it on—a cute, tiny computer smiling back at you. This device, it suggested, knew you. Understood you. Was someone you could trust.
Since then, we've come a long way, baby. The cold, black, addictive rectangle in my pocket—a gleaming window into all the hopes and terrors of the known world—is a far cry from the early, friendly promises of that smiling machine on which I could magically paint things at the touch of a button.
My guest today, in a very different way, grew up in the long shadow of that same cultural trajectory. Steve Jobs, the founder of Apple, was her dad. But like our relationship with the machines he helped unleash on the world, hers with him was deeply complicated. In her beautiful memoir Small Fry, Lisa Brennan-Jobs writes about his indifference, his attention, and her struggle to find herself in and outside of his shadow.
Surprise conversation starters in this episode: None, due to limited taping time.
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Following the Booker shortlisting of her novel 10 Minutes, 38 Seconds in This Strange World, British-Turkish author and activist Elif Shafak returns to Think Again to talk about forgotten lives, the nature of evil, and what we mean by progress.
"I think when you come to grips with what happened, it gives you a chance of doing something different. What's really dark is when you're going through something and you have no perspective." By revisiting—through poetry—his 9 years in prison for a teenage carjacking, Reginald Dwayne Betts finds freedoms most of us have never known.
Some experiences change you so completely that you're left with a choice: either spend your life running from them or spend your life turning them over in memory, trying to find new ways in, through, and out the other side. The power of the impulse to explain or somehow articulate these experiences is inversely proportionate to other people's ability to understand them. They're everything all at once. It seems to me that my guest today has made that second choice, the hard choice not to run away. Or maybe it's a choice you have to keep making over and over again. His name is Reginald Dwayne Betts. He's 39 years old—an accomplished poet and essayist and a graduate of Yale Law School. But he spent most of his teenage years and young adulthood in prison and over a year in solitary confinement, experiences neither society, nor memory, nor his fellow feeling for the more than 2 million people behind bars in the United States, the vast majority of them black men and boys, has let him forget. Dwayne's beautiful and necessary new book of poems is called FELON, and I'm honored to have him with me here today to talk about it.
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