You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?

Why not gambling? The Art of War? Contemporary parenting?

Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...

Don’t get too comfortable: Marlon James on his “African 'Game of Thrones'”

Man-Booker prizewinning author Marlon James in a freewheeling game of verbal ping-pong on African mythology, '80's hip hop, heavy metal, tattoos, and billionaire philanthropy.

Think Again Podcasts

Marlon James with host Jason Gots after the taping.

At this point, it's very rare to read something and find myself thinking: This is something new. This is unlike anything I've ever read before. It doesn't have to be written in hieroglyphs or be some kind of three-dimensional interactive reading experience with pull-out tabs and half the pages upside down. That kind of formal experimentation, in my experience as a reader, more often ends up being gimmicky and annoying than exhilarating. In fact, paradoxically, the "wow this is something new" experience often comes along with a sense that this new thing has somehow always existed, in your dreams if nowhere else.

Marlon James—the Jamaican writer who won the Man Booker Prize for A Brief History of Seven Killings— has done something in his new fantasy novel Black Leopard, Red Wolf that's unlike anything I've ever read before. The first book of a trilogy, it's been described as an "African Game of Thrones" and likened in scope to Tolkien's Lord of The Rings. But the stories within stories it tells and the shifts in voice and perspective thrust you into a seething, hallucinatory, morally ambiguous world that's part Ayahuasca dream and part blacklight nightmare, anchored in a rich African mythology that's worlds away from all those elves, wizards, dragons, and goblins—all those well-worn tales of light versus darkness.

Surprise conversation-starters in this episode:

Jeffrey Sachs on whether Jeff Bezos should distribute his Amazon wealth

Damian Echols on tattoos as a lifeline

Revolutionary K-12 education might look like a creative incubator

What can a learning space achieve when it's optimized for both student and parent expression?

Sponsored by yes. every kid.
  • As America's mainstream education systems continue to disappoint both parents and students, schooling alternatives present a fresh opportunity and revolutionary approach to teaching children.
  • Collaborative learning communities help students to discover themselves and their passions while parents play an active role in their education. Inspired by Montessori, Catherine Fraise founded Workspace to provide children the opportunity to learn and grow outside the four walls of "school."
  • This video is supported by yes. every kid., an initiative that aims to rethink education from the ground up by connecting innovators in a shared mission to conquer "one size fits all" education reform.
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