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Love of instrumental music is linked to intelligence, researchers say
From deejays to Debussy, it's all brain food.
- A new study supports earlier suspicions of a link between intelligence and non-vocal music.
- This may have to do with a taste for novel experiences way back on the savannah.
- Purely instrumental music may simply be more fresh for brainiacs.
The Savanna‐IQ Interaction Hypothesis, based on the Savannah Principle, proposes that intelligent people are more likely to be attracted to novel stimuli than other individuals are. A 2011 study — "Why More Intelligent Individuals Like Classical Music," by evolutionary psychologist Satoshi Kanazawa — proposed that since music evolved from vocal sounds, purely instrumental music would, by comparison, be one such novel stimulus. Ergo, smarter people are more likely to enjoy instrumental music.
We may logically expand that category beyond Kanazawa's boundaries to encompass other, non-classical, but nonetheless purely instrumental forms of music, such as ambient/chill-out electronica, dance music, jazz, and so on. With that caveat, a study recently published in Evolutionary Behavioral Science, "Intelligence, Music Preferences, and Uses of Music From the Perspective of Evolutionary Psychology," adds fresh support for Kanazawa's take on musical taste.
"I first became interested in this topic while working on a project looking into the relationship between personality traits and musical preferences," says the study author, psychology and primate conservation student Elena Račevska of Oxford Brookes University, according to PsyPost. "We decided to further test his hypothesis using a different set of predictors — namely, a different type of intelligence test (i.e. a nonverbal measure), and the uses of music questionnaires."
Račevska gathered data from 467 Croatian high school students, measuring "a number of variables likely to have an effect in this relationship, such as taking part in extra-curricular music education, its type and duration."
The study confirmed Račevska's earlier insight: "We found intelligence to be a significant predictor of the preference for instrumental music." (Side note: Intelligent students were not likewise disproportionately drawn to singing.)
Račevska also found that the manner in which subjects used music, as well as its personality, affected their preference. Five such personality factors were identified: reflective, popular, conservative, intense, and sophisticated. Those who listened to music more cognitively — consciously analyzing its composition and performance — especially enjoyed instrumental music. They same people were also attracted to reflexive, intense, and sophisticated music.
Image source: PopTika / Shutterstock
What future research might explore
Račevska admits, "Intelligence is only one of the constructs connected to musical preferences, there are many others, such as personality traits, gender, age, degree of education, and family income." There's also the issue of complexity since, "complexity of vocalization is preferred by many species, which could mean that it is evolutionarily familiar."
"It would also be wonderful to conduct a longitudinal study of how musical preferences change throughout developmental stages of the human life," Račevska says, "and how they interact with numerous social and personal variables, such as societal pressures and peer relationships."
Finally, she notes, one's culture is likely to be an additional factor influencing musical preference, and "a cross-cultural study could examine and control for influences of culturally specific ways of experiencing music, and other music-related behaviors."
Image source: Marcela Laskoski / Unsplash
A Mercury-bound spacecraft's noisy flyby of our home planet.
- There is no sound in space, but if there was, this is what it might sound like passing by Earth.
- A spacecraft bound for Mercury recorded data while swinging around our planet, and that data was converted into sound.
- Yes, in space no one can hear you scream, but this is still some chill stuff.
First off, let's be clear what we mean by "hear" here. (Here, here!)
Sound, as we know it, requires air. What our ears capture is actually oscillating waves of fluctuating air pressure. Cilia, fibers in our ears, respond to these fluctuations by firing off corresponding clusters of tones at different pitches to our brains. This is what we perceive as sound.
All of which is to say, sound requires air, and space is notoriously void of that. So, in terms of human-perceivable sound, it's silent out there. Nonetheless, there can be cyclical events in space — such as oscillating values in streams of captured data — that can be mapped to pitches, and thus made audible.
Image source: European Space Agency
The European Space Agency's BepiColombo spacecraft took off from Kourou, French Guyana on October 20, 2019, on its way to Mercury. To reduce its speed for the proper trajectory to Mercury, BepiColombo executed a "gravity-assist flyby," slinging itself around the Earth before leaving home. Over the course of its 34-minute flyby, its two data recorders captured five data sets that Italy's National Institute for Astrophysics (INAF) enhanced and converted into sound waves.
Into and out of Earth's shadow
In April, BepiColombo began its closest approach to Earth, ranging from 256,393 kilometers (159,315 miles) to 129,488 kilometers (80,460 miles) away. The audio above starts as BepiColombo begins to sneak into the Earth's shadow facing away from the sun.
The data was captured by BepiColombo's Italian Spring Accelerometer (ISA) instrument. Says Carmelo Magnafico of the ISA team, "When the spacecraft enters the shadow and the force of the Sun disappears, we can hear a slight vibration. The solar panels, previously flexed by the Sun, then find a new balance. Upon exiting the shadow, we can hear the effect again."
In addition to making for some cool sounds, the phenomenon allowed the ISA team to confirm just how sensitive their instrument is. "This is an extraordinary situation," says Carmelo. "Since we started the cruise, we have only been in direct sunshine, so we did not have the possibility to check effectively whether our instrument is measuring the variations of the force of the sunlight."
When the craft arrives at Mercury, the ISA will be tasked with studying the planets gravity.
The second clip is derived from data captured by BepiColombo's MPO-MAG magnetometer, AKA MERMAG, as the craft traveled through Earth's magnetosphere, the area surrounding the planet that's determined by the its magnetic field.
BepiColombo eventually entered the hellish mangentosheath, the region battered by cosmic plasma from the sun before the craft passed into the relatively peaceful magentopause that marks the transition between the magnetosphere and Earth's own magnetic field.
MERMAG will map Mercury's magnetosphere, as well as the magnetic state of the planet's interior. As a secondary objective, it will assess the interaction of the solar wind, Mercury's magnetic field, and the planet, analyzing the dynamics of the magnetosphere and its interaction with Mercury.
Recording session over, BepiColombo is now slipping through space silently with its arrival at Mercury planned for 2025.
Erin Meyer explains the keeper test and how it can make or break a team.
- There are numerous strategies for building and maintaining a high-performing team, but unfortunately they are not plug-and-play. What works for some companies will not necessarily work for others. Erin Meyer, co-author of No Rules Rules: Netflix and the Culture of Reinvention, shares one alternative employed by one of the largest tech and media services companies in the world.
- Instead of the 'Rank and Yank' method once used by GE, Meyer explains how Netflix managers use the 'keeper test' to determine if employees are crucial pieces of the larger team and are worth fighting to keep.
- "An individual performance problem is a systemic problem that impacts the entire team," she says. This is a valuable lesson that could determine whether the team fails or whether an organization advances to the next level.