You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Gary Shteyngart: reality catches up to dystopian fiction
Our modern-day Kafka on his new novel Lake Success and the dark comedy that in 2018 pretty much writes itself
- riding the Greyhounds of hell, from New York to El Paso
- the alternate reality of hedge fund traders
Gary Shteyngart's new novel Lake Success is the evil doppelgänger of the Simon and Garfunkel song 'America'. In what is surely destined to become one of those legendary novel openings, right up there with "it was the best of times, it was the worst of times," we meet Barry Cohen, "a man with 2.4 billion dollars of assets under management . . ." in a Greyhound Bus Terminal at 3:20 am, bleeding from his face and drunk on $20,000 of Japanese whiskey.
Shteyngart is one of my favorite writers ever. In the three books I've read—a memoir and two novels—we are sad, basically good-hearted schmos twisted into balloon animals by an uncaring world. Or . . . wait . . . the world is made of us…so…how good hearted are we, really?
Born in the USSR, Shteyngart emigrated to Queens as a kid. In his memoir Little Failure he describes his first experience of American cereal: "It tastes grainy easy and light, with a hint of false fruitiness. It tastes the way America feels."
It tastes the way America feels.
Like Paul Simon in the song, Barry Cohen has walked…or stumbled drunkenly…off to look for America. By almost any measure he is a horrible person. He's also a sad, basically good-hearted schmo twisted in into a balloon animal by the world. And maybe America is a false, fruity mirror in which, the harder you look, the more you end up seeing yourself.
Surprise conversation starter clips in this episode:
What can 3D printing do for medicine? The "sky is the limit," says Northwell Health researcher Dr. Todd Goldstein.
- Medical professionals are currently using 3D printers to create prosthetics and patient-specific organ models that doctors can use to prepare for surgery.
- Eventually, scientists hope to print patient-specific organs that can be transplanted safely into the human body.
- Northwell Health, New York State's largest health care provider, is pioneering 3D printing in medicine in three key ways.
Michael Dowling, Northwell Health's CEO, believes we're entering the age of smart medicine.
- The United States health care system has much room for improvement, and big tech may be laying the foundation for those improvements.
- Technological progress in medicine is coming from two fronts: medical technology and information technology.
- As information technology develops, patients will become active participants in their health care, and value-based care may become a reality.
Torn between absolutism on the left and the right, classical liberalism—with its core values of compassion and incremental progress whereby the once-radical becomes the mainstream—is in need of a good defense. And Adam Gopnik is its lawyer.
- Liberalism as "radical pragmatism"
- Intersectionality and civic discourse
- How "a thousand small sanities" tackled drunk driving, normalized gay marriage, and could control gun violence
Personal crises and national crises have more than a few things in common. From Brexit to the partisan divide in America to Germany after World War II, Jared Diamond talks with host Jason Gots about how we get through them (or don't).
- Nations that blame their problems on other nations (or particular groups) don't recover so well from crises.
- The US is consuming at 32x the rate of most African countries. Even if Africa didn't exist, it would be unsustainable.
- What Jared Diamond has learned about human nature from his neighborhood association.
With 14 Tony nominations, HADESTOWN is redefining what a Broadway musical can be. Its creator, songwriter/singer Anaïs Mitchell sits down with Jason Gots to talk about the myth of Orpheus and Eurydice, making old things new, and leaving her songwriting cave (temporarily) for the theater.
- The creative process, from hacking away at rhymes in a windowless, concrete box to unpredictably transcendent moments on stage.
- A song can't change the world on its own, but it maybe can change the people who hear it.
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