Perception of musical pitch varies across cultures
Is the way we hear music biological or cultural?
People who are accustomed to listening to Western music, which is based on a system of notes organized in octaves, can usually perceive the similarity between notes that are same but played in different registers — say, high C and middle C.
However, a longstanding question is whether this a universal phenomenon or one that has been ingrained by musical exposure.
This question has been hard to answer, in part because of the difficulty in finding people who have not been exposed to Western music. Now, a new study led by researchers from MIT and the Max Planck Institute for Empirical Aesthetics has found that unlike residents of the United States, people living in a remote area of the Bolivian rainforest usually do not perceive the similarities between two versions of the same note played at different registers (high or low).
The findings suggest that although there is a natural mathematical relationship between the frequencies of every "C," no matter what octave it's played in, the brain only becomes attuned to those similarities after hearing music based on octaves, says Josh McDermott, an associate professor in MIT's Department of Brain and Cognitive Sciences.
"It may well be that there is a biological predisposition to favor octave relationships, but it doesn't seem to be realized unless you are exposed to music in an octave-based system," says McDermott, who is also a member of MIT's McGovern Institute for Brain Research and Center for Brains, Minds and Machines.
The study also found that members of the Bolivian tribe, known as the Tsimane', and Westerners do have a very similar upper limit on the frequency of notes that they can accurately distinguish, suggesting that that aspect of pitch perception may be independent of musical experience and biologically determined.
McDermott is the senior author of the study, which appears in the journal Current Biology on Sept. 19. Nori Jacoby, a former MIT postdoc who is now a group leader at the Max Planck Institute for Empirical Aesthetics, is the paper's lead author. Other authors are Eduardo Undurraga, an assistant professor at the Pontifical Catholic University of Chile; Malinda McPherson, a graduate student in the Harvard/MIT Program in Speech and Hearing Bioscience and Technology; Joaquin Valdes, a graduate student at the Pontifical Catholic University of Chile; and Tomas Ossandon, an assistant professor at the Pontifical Catholic University of Chile.
Cross-cultural studies of how music is perceived can shed light on the interplay between biological constraints and cultural influences that shape human perception. McDermott's lab has performed several such studies with the participation of Tsimane' tribe members, who live in relative isolation from Western culture and have had little exposure to Western music.
In a study published in 2016, McDermott and his colleagues found that Westerners and Tsimane' had different aesthetic reactions to chords, or combinations of notes. To Western ears, the combination of C and F# is very grating, but Tsimane' listeners rated this chord just as likeable as other chords that Westerners would interpret as more pleasant, such as C and G.
Later, Jacoby and McDermott found that both Westerners and Tsimane' are drawn to musical rhythms composed of simple integer ratios, but the ratios they favor are different, based on which rhythms are more common in the music they listen to.
In their new study, the researchers studied pitch perception using an experimental design in which they play a very simple tune, only two or three notes, and then ask the listener to sing it back. The notes that were played could come from any octave within the range of human hearing, but listeners sang their responses within their vocal range, usually restricted to a single octave.
Western listeners, especially those who were trained musicians, tended to reproduce the tune an exact number of octaves above or below what they heard, though they were not specifically instructed to do so. In Western music, the pitch of the same note doubles with each ascending octave, so tones with frequencies of 27.5 hertz, 55 hertz, 110 hertz, 220 hertz, and so on, are all heard as the note A.
Western listeners in the study, all of whom lived in New York or Boston, accurately reproduced sequences such as A-C-A, but in a different register, as though they hear the similarity of notes separated by octaves. However, the Tsimane' did not.
"The relative pitch was preserved (between notes in the series), but the absolute pitch produced by the Tsimane' didn't have any relationship to the absolute pitch of the stimulus," Jacoby says. "That's consistent with the idea that perceptual similarity is something that we acquire from exposure to Western music, where the octave is structurally very important."
The ability to reproduce the same note in different octaves may be honed by singing along with others whose natural registers are different, or singing along with an instrument being played in a different pitch range, Jacoby says.
Limits of perception
The study findings also shed light on the upper limits of pitch perception for humans. It has been known for a long time that Western listeners cannot accurately distinguish pitches above about 4,000 hertz, although they can still hear frequencies up to nearly 20,000 hertz. In a traditional 88-key piano, the highest note is about 4,100 hertz.
People have speculated that the piano was designed to go only that high because of a fundamental limit on pitch perception, but McDermott thought it could be possible that the opposite was true: That is, the limit was culturally influenced by the fact that few musical instruments produce frequencies higher than 4,000 hertz.
The researchers found that although Tsimane' musical instruments usually have upper limits much lower than 4,000 hertz, Tsimane' listeners could distinguish pitches very well up to about 4,000 hertz, as evidenced by accurate sung reproductions of those pitch intervals. Above that threshold, their perceptions broke down, very similarly to Western listeners.
"It looks almost exactly the same across groups, so we have some evidence for biological constraints on the limits of pitch," Jacoby says.
One possible explanation for this limit is that once frequencies reach about 4,000 hertz, the firing rates of the neurons of our inner ear can't keep up and we lose a critical cue with which to distinguish different frequencies.
"The new study contributes to the age-long debate about the interplays between culture and biological constraints in music," says Daniel Pressnitzer, a senior research scientist at Paris Descartes University, who was not involved in the research. "This unique, precious, and extensive dataset demonstrates both striking similarities and unexpected differences in how Tsimane' and Western listeners perceive or conceive musical pitch."
Jacoby and McDermott now hope to expand their cross-cultural studies to other groups who have had little exposure to Western music, and to perform more detailed studies of pitch perception among the Tsimane'.
Such studies have already shown the value of including research participants other than the Western-educated, relatively wealthy college undergraduates who are the subjects of most academic studies on perception, McDermott says. These broader studies allow researchers to tease out different elements of perception that cannot be seen when examining only a single, homogenous group.
"We're finding that there are some cross-cultural similarities, but there also seems to be really striking variation in things that a lot of people would have presumed would be common across cultures and listeners," McDermott says. "These differences in experience can lead to dissociations of different aspects of perception, giving you clues to what the parts of the perceptual system are."
The research was funded by the James S. McDonnell Foundation, the National Institutes of Health, and the Presidential Scholar in Society and Neuroscience Program at Columbia University.
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Northwell Health CEO Michael Dowling has an important favor to ask of the American people.
- Michael Dowling is president and CEO of Northwell Health, the largest health care system in New York state. In this PSA, speaking as someone whose company has seen more COVID-19 patients than any other in the country, Dowling implores Americans to wear masks—not only for their own health, but for the health of those around them.
- The CDC reports that there have been close to 7.9 million cases of coronavirus reported in the United States since January. Around 216,000 people have died from the virus so far with hundreds more added to the tally every day. Several labs around the world are working on solutions, but there is currently no vaccine for COVID-19.
- The most basic thing that everyone can do to help slow the spread is to practice social distancing, wash your hands, and to wear a mask. The CDC recommends that everyone ages two and up wear a mask that is two or more layers of material and that covers the nose, mouth, and chin. Gaiters and face shields have been shown to be less effective at blocking droplets. Homemade face coverings are acceptable, but wearers should make sure they are constructed out of the proper materials and that they are washed between uses. Wearing a mask is the most important thing you can do to save lives in your community.
Two massive clouds of dust in orbit around the Earth have been discussed for years and finally proven to exist.
- Hungarian astronomers have proven the existence of two "pseudo-satellites" in orbit around the earth.
- These dust clouds were first discovered in the sixties, but are so difficult to spot that scientists have debated their existence since then.
- The findings may be used to decide where to put satellites in the future and will have to be considered when interplanetary space missions are undertaken.
What are they?<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODgyMDA0NC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzNTM1ODc0Mn0.NH33LuauIo__sUBi4tvhwxDcsvhflDFD-Nhx9FjlSNk/img.jpg?width=1245&coordinates=148%2C0%2C149%2C0&height=700" id="cec96" class="rm-shortcode" data-rm-shortcode-id="acb78abe2ab46a17e419ad30906751d6" data-rm-shortcode-name="rebelmouse-image" />
Artist's impression of the Kordylewski cloud in the night sky (with its brightness greatly enhanced) at the time of the observations.
G. Horváth<p>The<a href="https://en.wikipedia.org/wiki/Kordylewski_cloud" target="_blank"> Kordylewski clouds</a> are two dust clouds first observed by Polish astronomer Kazimierz Kordylewski in 1961. They are situated at two of the <a href="https://www.space.com/30302-lagrange-points.html" target="_blank">Lagrange points</a> in Earth's orbit. These points are locations where the gravity of two objects, such as the Earth and the Moon or a planet and the Sun, equals the centripetal required to orbit the objects while staying in the same relative position. There are five of these spots between the Earth and Moon. The clouds rest at what are called points four and five, forming a triangle with the clouds and the Earth at the three corners.</p><p>The clouds are enormous, taking up the same space in the night sky as twenty lunar discs; covering an area of 45,000 miles. They are roughly 250,000 miles away, about the same distance from us as the Moon. They are entirely comprised of specks of dust which reflect the light of the sun so faintly most astronomers that looked for them were unable to see them at all. </p><p>The clouds themselves are probably ancient, but the model that the scientists created to learn about them suggests that the individual dust particles that comprise them can be blown away by solar wind and replaced by the dust from other cosmic sources like comet tails. This means that the clouds hardly move but are <a href="https://www.nationalgeographic.com/science/2018/11/news-earth-moon-dust-clouds-satellites-planets-space/" target="_blank">eternally changing</a>. </p>
How did they discover this?<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODgyMDAzNi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1Nzc4MjQ4MX0.7uU9OqmQcWw5Ll1UXAav0PCu4nTg-GdJdAWADHanC7c/img.jpg?width=1245&coordinates=0%2C180%2C0%2C181&height=700" id="952fb" class="rm-shortcode" data-rm-shortcode-id="a778280a20f1c54cd2c14c8313224be2" data-rm-shortcode-name="rebelmouse-image" />
"In this picture the central region of the Kordylewski dust cloud is visible (bright red pixels). The straight tilted lines are traces of satellites."
J. Slíz-Balogh<p>In their study published in the <a href="https://academic.oup.com/mnras" target="_blank">Monthly Notices of the Royal Astronomical Society</a>, Hungarian astronomers Judit Slíz-Balogh, András Barta, and Gábor Horváth described how they were able to find the dust clouds using polarized lenses.</p><p>Since the clouds were expected to polarize the light that bounces off of them, by configuring the telescopes to look for this kind of light the clouds were much easier to spot. What the scientists observed, polarized light in patterns that extended outside the view of the telescope lens, was in line with the predictions of their mathematical model and ruled out other possible sources. </p>
Why are we just learning this now?<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xODgyMDAzOS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY2MjUyNDMyMH0.Zl8GmQ_rJHiL4b7hN0r_YBmgb6_ZqIRvqOVuko2ubpw/img.jpg?width=1245&coordinates=0%2C141%2C0%2C185&height=700" id="87afe" class="rm-shortcode" data-rm-shortcode-id="dd4c0b5088e601d7279cc5eb226f8b7b" data-rm-shortcode-name="rebelmouse-image" />
"Mosaic pattern of the angle of polarization around the L5 point (white dot) of the Earth-Moon system. The five rectangular windows correspond to the imaging telescope with which the patterns of the Kordylewski cloud were measured."
J. Slíz-Balogh<p>The objects, being dust clouds, are very faint and hard to see. While Kordylewski observed them in 1961, other astronomers have looked there and given mixed reports over the following decades. This discouraged many astronomers from joining the search, as study co-author Judit Slíz-Balogh <a href="https://ras.ac.uk/news-and-press/research-highlights/earths-dust-cloud-satellites-confirmed" target="_blank">explained</a>, <em>"The Kordylewski clouds are two of the toughest objects to find, and though they are as close to Earth as the Moon are largely overlooked by researchers in astronomy. It is intriguing to confirm that our planet has dusty pseudo-satellites in orbit alongside our lunar neighbor."</em></p>
Will this have any impact on space travel?<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="c3d797fff5430c64afcb5a49bddc3616"><iframe type="lazy-iframe" data-runner-src="https://www.youtube.com/embed/Ou8N3v9SFPE?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Lagrange points have been put forward as excellent locations for a space station or satellites like the <a href="https://jwst.nasa.gov/about.html" target="_blank">James Webb Telescope</a> to be put into orbit, as they would require little fuel to stay in place. Knowing about a massive dust cloud that could damage sensitive equipment already being there could save money and lives in the future. While we only know about the clouds at Lagrange points four and five right now, the study's authors suggest there could be more at the other points.</p><p>While the discovery of a couple of dust clouds might not seem all that impressive, it is the result of a half-century of astronomical and mathematical work and reminds us that wonders are still hidden in our cosmic backyard. While you might never need to worry about these clouds again, there is nothing wrong with looking at the sky with wonder at the strange and fantastic things we can discover. </p>
New cancer-scanning technology reveals a previously unknown detail of human anatomy.
- Scientists using new scanning technology and hunting for prostate tumors get a surprise.
- Behind the nasopharynx is a set of salivary glands that no one knew about.
- Finding the glands may allow for more complication-free radiation therapies.
PSMA PET/CT technology<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="676e611b970c9b516cace0870447b325"><iframe type="lazy-iframe" data-runner-src="https://www.youtube.com/embed/RHAyoQF09X4?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>PSMA PET/CT is a new combination of <a href="https://www.mayoclinic.org/tests-procedures/pet-scan/about/pac-20385078" target="_blank">PET scans</a> and <a href="https://www.mayoclinic.org/tests-procedures/ct-scan/about/pac-20393675" target="_blank">CT scans</a> that is believed to offer a more reliable means of locating prostate cancer metastasis. A <a href="https://www.cancer.gov/news-events/cancer-currents-blog/2020/prostate-cancer-psma-pet-ct-metastasis" target="_blank" rel="noopener noreferrer">study</a> published last spring suggests it may be the most accurate way to diagnose prostate cancer metastasis than any method previously available.</p><p>Prior to PSMA PET/CT, the primary way to look for metastatic prostate cancer was to image the body using x-ray-based CT scans and to perform bone scans, since bone is where prostate cancer often spreads. CT scans, however, often miss small tumors, and bone scans can generate false positives as a result of other damage or abnormalities that have nothing to do with prostate cancer.</p><p>PSMA PET/CT scans track the travels of an intravenously administered radioactive glucose tracer throughout the body. For hunting down prostate cancer, this tracer contains a molecule that binds to the <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1472940/" target="_blank">PSMA</a> protein that's present in large amounts in prostate tumors. The molecule is linked to a radioisotope, <a href="https://netrf.org/2018/11/13/gallium-68-scan-for-neuroendocrine-tumors/" target="_blank" rel="noopener noreferrer">gallium-68</a> (Ga-68).</p><p>In last spring's research, PSAM PET/CT was shown to be 27 percent more accurate than previous methods at finding metastases (92 percent accuracy as opposed to 65 percent). In addition, it was found to be much less likely to produce false positives, and it was particularly good at detecting tumors far removed from the prostate.</p>
A good kind of avoidance behavior<p>"Radiation therapy can damage the salivary glands," says Vogel, "which may lead to complications. Patients may have trouble eating, swallowing, or speaking, which can be a real burden."</p><p>The researchers looked back through the cases of 723 patients who had undergone radiation treatment, interested in seeing if inadvertent radiation of the tubarial glands was associated with the complications experienced by the patients. It turned out that this <em>was</em> the case: In cases where more radiation had been delivered to this area, patients did indeed report more in the way of complications of the type one would expect when salivary glands are radiated.</p><p>Now that we know the tubarial salivary glands exist, therapists can stay out of their way. Vogel says, "For most patients, it should technically be possible to avoid delivering radiation to this newly discovered location of the salivary gland system in the same way we try to spare known glands."</p><p>He's hopeful that that things may be about to get at least a bit better for cancer patients: "Our next step is to find out how we can best spare these new glands and in which patients. If we can do this, patients may experience less side effects which will benefit their overall quality of life after treatment."</p>
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