The Art of the Hollywood Pitch
Danny Strong is best known for the five years he played Jonathan Levenson on the landmark television series "Buffy the Vampire Slayer" for which he was named "One of the top ten scene stealer's on television" by the San Francisco Chronicle. He is also widely recognized for his four seasons as Doyle on "Gilmore Girls" and for his starring role opposite Amanda Bynes in the teen comedy "Sydney White." His script Recount, an HBO original film about the 2000 election debacle in Florida, was voted number one on the 2007 Black List, an annual list of the years top screenplays as determined by Hollywood development executives. Danny was named by Variety magazine as one of their "Top Ten Screenwriters to Watch" for 2007.
Danny Strong: How does one make it in Hollywood? Wow, that’s the million dollar question. I think if I could simply answer that I’d be able to be a millionaire just by giving that advice, you know? It’s extremely competitive. It’s an extremely difficult industry to break into. I sometimes compare it to professional sports, like wanting to be in the NFL or the NBA, you know? It’s one of those things that people grow up dreaming about wanting to be a part of, but in fact, very few people end up actually making a living being in that profession.
I actually don’t think there’s a ton of luck in the writing game because writing is one of those things where you’ve got a script, you know, it’s 120 pages, or 30 pages for a TV show or 60 pages for a TV show. And it’s either good or it’s not good, and it doesn’t really matter whose name is on that cover page. Once someone starts reading that script they’re going to know if they’re engaged by this writing or if they’re not engaged by the writing.
You really need to get the person you’re pitching to see the story; to get them to be able to see the movie as clearly as possible. And sometimes that means being extremely detailed, and sometimes it’s a matter of having specific details that take them into the world of it and then having sort of more of a general discussion than having the entire thing, you know, beated out moment for moment. So it varies from project to project. But definitely the ultimate goal is to do whatever you can to get the person as immersed in the story as possible.
The first pitch I ever sold was the pitch for “Recount,” and that was a very long pitch. It was 35 minutes long, but I really wanted them to understand all of the multi-dimensional facets to the story of the Florida recount. So I opened the pitch with a fake—a replica of the butterfly ballot, and I said, “We open the movie on this,” and I set the butterfly ballot down. And then I took them through the movie, not as a history lesson but as the story of how I saw the movie layout, you know? I said, Ron Klain and James Baker and the battle of these two men, and then I brought in Katherine Harris and made it as cinematic a telling as possible.
And then when I was done, at the end of the pitch, I showed them a two-minute video clip of the actual Florida recount to give them, you know, images of what it was really like down there to just immerse them in the story as much as possible. And I knew—because I was pitching HBO who, you know, only hires very experienced writers and I had never sold anything—that this was going to have to be one hell of a presentation if I was going to get them to hire me to do this movie.
Directed / Produced by
Jonathan Fowler & Elizabeth Rodd
Swiss researchers identify new dangers of modern cocaine.
- Cocaine cut with anti-worming adulterant levamisole may cause brain damage.
- Levamisole can thin out the prefrontal cortex and affect cognitive skills.
- Government health programs should encourage testing of cocaine for purity.
Civil discourse has fallen to an all time low.
The question that the American populace needs to ask itself now is: how do we fix it?
Discursive fundamentals need to be taught to preserve free expression
In their findings the authors state:
upholding First Amendment ideals.
Talking politics at Thanksgiving dinner
- Progressive Activists: younger, highly engaged, secular, cosmopolitan, angry.
- Traditional Liberals: older, retired, open to compromise, rational, cautious.
- Passive Liberals: unhappy, insecure, distrustful, disillusioned.
- Politically Disengaged: young, low income, distrustful, detached, patriotic, conspiratorial
- Moderates: engaged, civic-minded, middle-of-the-road, pessimistic, Protestant.
- Traditional Conservatives: religious, middle class, patriotic, moralistic.
- Devoted Conservatives: white, retired, highly engaged, uncompromising,
It's interesting to note the authors found that:
"Tribe membership shows strong reliability in predicting views across different political topics."
Here are some statistics on differing viewpoints according to political party:
- 51% of staunch liberals say it's "morally acceptable" to punch Nazis.
- 53% of Republicans favor stripping U.S. citizenship from people who burn the American flag.
- 65% of Republicans say NFL players should be fired if they refuse to stand for the anthem.
- 58% of Democrats say employers should punish employees for offensive Facebook posts.
- 47% of Republicans favor bans on building new mosques.
Here are some guidelines for civic discourse that might come in handy:
- Practice inclusion and listen to who you're speaking to.
Civic discourse in the divisive age
dangerously tribal, fueled by a culture of outrage and taking offense. For the combatants,
the other side can no longer be tolerated, and no price is too high to defeat them.
These tensions are poisoning personal relationships, consuming our politics and
putting our democracy in peril.
Once a country has become tribalized, debates about contested issues from
immigration and trade to economic management, climate change and national security,
become shaped by larger tribal identities. Policy debate gives way to tribal conflicts.
Polarization and tribalism are self-reinforcing and will likely continue to accelerate.
The work of rebuilding our fragmented society needs to start now. It extends from
re-connecting people across the lines of division in local communities all the way to
building a renewed sense of national identity: a bigger story of us."
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