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Culture & Religion

Lab-Grown Meat’s Main Obstacle is Quickly Disappearing

It’s possible to grow hamburger in a laboratory. Scientists have done it. It’s actual meat. The problem is the process for creating meat is currently prohibitively expensive, although that may not be the case for long.
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My colleague Natalie Shoemakerwrote a few days ago about research efforts that track the various defenses and rationalizations for eating meat. It’s important to note that the piece is written from a strictly rational standpoint centered on the following facts:


1. The ways in which we produce meat these days is very inefficient

2. Modern dietary science enables us to substitute meat’s necessary nutrients with items like beans, nuts, tofu, etc. These foods are much easier to produce than meat.

3. The meat industry is awful for the environment

So, rationally speaking, if all things were equal, it would be wise to forgo eating meat and supporting a massive industry that arguably does more harm than good. We don’t need meat, so why not cut it out completely?

But all things are not equal. Meat tastes good. Meat is a cultural staple for many people. Food is family, life, and heritage. You can’t just convince people to stop doing something they like to do, especially when it’s so inexpensive to keep up the habit. Meat isn’t going away anytime soon, no matter how much the anti-meat crowd wants it to.

It’s from this perspective that scientists around the world are searching for alternatives. We’ve talked a bit on this site over the years about meat grown in laboratories. The Washington Post has a profile up today about one scientist — Mark Post of Maastricht University in the Netherlands — who has spent nearly a decade working on such a project:

“Two years ago, Post’s team of researchers presented their first major discovery in the form of a five-ounce hamburger patty, which was created in a lab, but still was remarkably similar to ones sold on supermarket shelves. The reception was promising: The media was abuzz, and the BBC made several food critics try it, one of whom conceded, “This is meat to me; it’s not falling apart.”

The glaring obstacle for Post’s achievement is the cost associated with reproducing it. As mentioned above, the price of industrialized meat is extremely low right now. Any effort to replace animal meat with lab meat will have to address this. Post thinks he’s getting close, explaining to The Post’s Roberto A. Ferdman that it won’t be long until his team reaches its goal of “65 to 70 dollars per kilo.”

“That would drop the five-ounce burger to below $10,” writes Ferdman. And the price could fall even further in the future.

Take a look at Ferdman’s full piece in The Post for more about Post, his work, and a prediction of whether the public would warm up to lab-grown meat. For now, the important take-away here is that the main obstacle to giving synthetic meat a chance to compete could soon disappear.

Photo credit: Alex011973 / Shutterstock

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Related
  Novelist Jonathan Safran Foer wants you to stop eating meat—not because he cares so much about the fluffy animals, but because it’s killing the environment. In his Big Think interview Foer shared with us just how devastating the factory farm industry is, something he learned while researching his first work of non-fiction, Eating Animals. “Animal agriculture is the number one cause of global warming, and yet very few people, including people who are normally quite political and quite moral and moralizing, talk about it.  And even fewer people act on their concerns about where food comes from.” The reason changing Americans’ eating habits is so difficult is because eating meat is ingrained in our cultural narratives as Americans. “Food is not just fact and it’s not just reason; it’s culture, it’s personal identity,” Foer says. “It’s what our parents and our grandparents fed us, it’s how we think of ourselves, and it’s always attached to some kind of a story.  And that confuses things.  The Thanksgiving turkey confuses things.  The Christmas ham confuses things.  Every family has its own version.” And creating a new narrative that excludes meat will be tough largely because Americans are subsidized to eat this way. American farm subsidies lower the price of meat while encouraging inhumane and environmentally damaging farming practices, so much so that the real cost of a 50-cent hamburger, factoring in environmental costs, is actually $200. Plus, the subsidies hamstring farmers that use traditional, non-industrial methods of farming: “We have now created an economic system which is very advantageous to feed animals unnaturally, house them unnaturally, and raise genetic stocks that are destined for illness,” Foer says.  “And the small farmers, who are really the heroes of my book, farmers at places like Niman Ranch, farmers like Frank Reese at Good Shepard, farmers like Paul Willis, are at a severe economic disadvantage for doing things the right way; for being environmentally responsible; for treating their animals like animals rather than like rocks or pieces of wood.” Foer told us that change is very necessary but possible, debunking the idea that industrialized factory farming is necessary to feed the world. The idea that factory farming is necessary to feed the nearly 7 billion inhabitants of earth is “not only untrue, it’s the opposite of the truth,” he says. “It takes seven calories of food input into an animal to produce one calorie of food output.  It’s an extraordinarily inefficient way to produce food.” And if the Chinese and Indians begin to eat like American do, which has been the trend in the developing world, “we’re going to have to farm twice as many animals as we do now.” That would amount to 100 billion animals every year.  Foer also spoke to us about his fiction work, telling us that he values the freedom of fiction but that the same freedom is what makes fiction so difficult. And he gave us his take on the film adaptation of his debut novel “Everything Is Illuminated” as well as his thoughts about the form of the novel in the age of the iPad. Literature has always been “slower than the other art forms to grapple with technological and cultural changes…and I think that’s one of the things that people love so much about it,” he said. Whereas music and the visual arts have changed dramatically in the past 100 years, literature has remained largely the same. “Maybe it’s been the saving grace of literature to be so conservative,” Foer muses. “But maybe it will contribute to its death.”    

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