Question: What are some screenwriting lessons for
businesspeople?
Robert McKee: Well, in business, the
problem is persuasion, how to get people to do what you want them to
do. How to get the employees below you, wherever you are in the pyramid
of power, how to get the people below you to do what you want them to
do; how to persuade the people above you and the board of directors, or
higher management, or whatever, to recognize that what you’re offering
is of real value and do things again to further your work, and the
corporation as a whole. So, the problem is persuasion. And there are
three ways to persuade people. One is rhetoric, and this is, of course,
the PowerPoint presentation where you try to build an argument out of
facts. This pie chart, that statistic, this quote from authority, this
blah, blah, blah, therefore at the end of the day, we should do this.
The problem with rhetoric and PowerPoint presentations is that the
people you’re making the presentation to have their own facts, their own
statistics, their own authorities. And while you’re laying out all of
your evidence, they’re arguing with you. Silently. Because they know
they have another set of facts. Okay? What’s more, they know in your
PowerPoint presentation you have left out everything negative.
Everything that’s wrong with this company, everything that they have
failed at, every projection that says this is not... everything that is
negative has been left out, and they know from business because they are
in business too, that the business world is full of things negative.
All kinds of problems and labor unions and government agencies and who
knows what, okay, that are in your way. But the rhetoric leaves all of
that out. So they know you’re lying. They know that you are
distorting. And so PowerPoint presentations rarely ever work to
persuade anybody.
A second way to persuade is coercion. You
can bribe people, you can bully people, you can seduce people, you can
threaten people, you can manipulate people in one way or the other,
either by seductions or by abuse. And you can get them to do what you
want them to do that way. That is every day at the office. The trouble
with coercion is that it is short-term. You might be able to bully
somebody into doing what you want, or seduce somebody above you to see
things your way, but because it’s not founded on anything real, in turn,
that snake will turn around and bite you in the ass. And so coercion
as a short-term affect may or may not help, but in long-term, it just
builds resentments and blah, blah.
The third way to persuade
people is with story. You take all the facts that you would have used
in a PowerPoint presentation, you take all the emotional impact that you
would have used coercing people, and you create out of that a story
that imparts those facts emotionally. And the story stars you, or stars
the corporation, or your division as an underdog up against very
powerful forces and admits to the existence of the negative. When you
tell a story, it isn’t just and then, and then, and then, and we all
lived happily ever after. It’s that and then, and then this and that,
and that and this, and by admitting that somebody stole our patent and
we had to go out and fight that in the court, but we got it back, some
competitor stole our best people, but we rehired and we got even better
people, and so forth. By describing the dynamic of life, and therefore
this product is now, da, da, poised to win the market share, or
whatever.
By telling story dynamically, you hook them
emotionally, because everybody’s rooting for an underdog struggling to
succeed. You tell the story honestly because you’re admitting all the
negative side, and you’re telling the story emotionally because they get
involved and they have a huge stake in the storytelling. Is this
company, or is this product going to win?
And so storytelling
is, by far, the greatest leaders of business and government, for that
matter—people with great power gain that power by being able to
communicate a story to the citizen, to the workers, to the board, that
hooks them and holds them and pays off. The trouble with that, of
course, is it takes talent to do that. Not everybody is a natural
storyteller. That’s why people lean on PowerPoint presentations because
it’s an essay form and they can do that. But it’s dangerous to tell
stories if you don’t have talent because you just bore people.
But
the best leaders have that talent, or they learn that craft and the
know how to beguile people and move them and excite them with their
visions and persuade them.
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