Bryan Cranston: the journey from ‘Party Boy #2’ to movie star
How do you go from background extra to leading man? Listen to acting legend Bryan Cranston's pragmatic advice.
Bryan Cranston won four Emmy Awards for Outstanding Lead Actor in a Drama Series for his portrayal of Walter White in AMC's Breaking Bad. He holds the honor of being the first actor in a cable series, and the second lead actor in the history of the Emmy Awards, to receive three consecutive wins. In 2014 he won a Tony Award for his role as Lyndon Johnson in the bio-play All the Way. In film, Cranston received an Academy Award nomination for his leading role in Trumbo. Among his numerous television and film appearances, he was nominated for a Golden Globe and three Emmys for his portrayal of Hal in FOX's Malcolm in the Middle. He is the author of his memoir, A Life in Parts.
Bryan Cranston: When I first started acting and when every actor first starts out, you take a job, any job, anywhere. I was, for so many years, you know, 'Clerk' or 'Party Boy Number Two' or 'Student Behind Girl', and things like that. You didn’t have any names.
And then hopefully, eventually, you break through and you get a name, a character, and you actually have a little more character depth. And if all goes well and you get lucky you can actually have a bona fide character, and you’re on your way, hopefully. It’s not a guarantee but it’s what you strive for and you take the jobs as they come. If, by chance, you get struck by lightning as I did and you have this unbelievable, unexpected success in a couple of series that were big hits—one comedy, one drama—and then you go on and you’re able to do Broadway and you’re able to do other things like starring in movies, wow, what a godsend! What great good fortune.
Along with that is the energy comes out. When you’re just starting out—and for most actors, most actors are sending out information. “Who’s doing what? Where are the auditions? How can I get in?” You’re constantly sending information out to see if you can get a piece of this here and there. If you get lucky, that energy that you were sending out turns around and comes back at you.
And now that’s what’s happened to me, is that instead of me sending information out to find out where things are, it’s coming to me. In equal amounts of energy used. I’m like, “Oh yes, okay, hang on, let me see…” — a great opportunity! Don’t get me wrong, it’s a great place to be. But there’s a lot of energy spent in trying to read this and field offers that are coming to you. So I had to figure out a system that made sense to me, that gave an analytical evaluation to it, and this is what I came up with: I called it a CAP System, a Cranston Assessment of Projects System, CAPS. It wasn’t intended for anybody else but if anybody else finds it useful they’re welcome to have it. And I gave a numerical value to the things that I found to be the most important. And the most important is the story. The writing is the single-most important element in any performance art. I don’t see an exception to that. I think Meryl Streep, at her best acting, if she was given C-level material she could definitely make that a B, but that’s it. That’s how far you can go with C-level material. You can enhance it. You can bring it up to a B. If you start with A-level material… oh baby, that’s fantastic!
So I wanted to evaluate the projects that were coming in according to story, text and then the character, then the director, and then other elements like who else is in the cast, but also personal things like where is it shooting? How long would it take me away from my home and my family? That sort of thing. It was important for me to navigate through all those things. So that’s how I came up with the system and it works for me. I give a numerical evaluation to every project that comes through.
How did Bryan Cranston get to where he is? Luck, talent, and a personal numerical system he uses to pick his roles. The system — which he calls CAPS, or Cranston Assessment of Projects — is a little tongue-in-cheek in name but has allowed Bryan to go from Malcolm in the Middle to Breaking Bad to his latest project, Richard Linklater's veteran drama Last Flag Flying. While most actors might pick their roles based on the paycheck or how high it might raise their profile, Bryan has been able to pick his roles based on story and how happy the project might make him feel. It's a great lesson about good decision making. And you'd be hard-pressed to find a better teacher than Bryan, a man who's gone from "Party Boy #2" to the Hollywood A-list. Bryan Cranston's new book is the spectacular memoir A Life in Parts.
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How would the ability to genetically customize children change society? Sci-fi author Eugene Clark explores the future on our horizon in Volume I of the "Genetic Pressure" series.
- A new sci-fi book series called "Genetic Pressure" explores the scientific and moral implications of a world with a burgeoning designer baby industry.
- It's currently illegal to implant genetically edited human embryos in most nations, but designer babies may someday become widespread.
- While gene-editing technology could help humans eliminate genetic diseases, some in the scientific community fear it may also usher in a new era of eugenics.
Tribalism and discrimination<p>One question the "Genetic Pressure" series explores: What would tribalism and discrimination look like in a world with designer babies? As designer babies grow up, they could be noticeably different from other people, potentially being smarter, more attractive and healthier. This could breed resentment between the groups—as it does in the series.</p><p>"[Designer babies] slowly find that 'everyone else,' and even their own parents, becomes less and less tolerable," author Eugene Clark told Big Think. "Meanwhile, everyone else slowly feels threatened by the designer babies."</p><p>For example, one character in the series who was born a designer baby faces discrimination and harassment from "normal people"—they call her "soulless" and say she was "made in a factory," a "consumer product." </p><p>Would such divisions emerge in the real world? The answer may depend on who's able to afford designer baby services. If it's only the ultra-wealthy, then it's easy to imagine how being a designer baby could be seen by society as a kind of hyper-privilege, which designer babies would have to reckon with. </p><p>Even if people from all socioeconomic backgrounds can someday afford designer babies, people born designer babies may struggle with tough existential questions: Can they ever take full credit for things they achieve, or were they born with an unfair advantage? To what extent should they spend their lives helping the less fortunate? </p>
Sexuality dilemmas<p>Sexuality presents another set of thorny questions. If a designer baby industry someday allows people to optimize humans for attractiveness, designer babies could grow up to find themselves surrounded by ultra-attractive people. That may not sound like a big problem.</p><p>But consider that, if designer babies someday become the standard way to have children, there'd necessarily be a years-long gap in which only some people are having designer babies. Meanwhile, the rest of society would be having children the old-fashioned way. So, in terms of attractiveness, society could see increasingly apparent disparities in physical appearances between the two groups. "Normal people" could begin to seem increasingly ugly.</p><p>But ultra-attractive people who were born designer babies could face problems, too. One could be the loss of body image. </p><p>When designer babies grow up in the "Genetic Pressure" series, men look like all the other men, and women look like all the other women. This homogeneity of physical appearance occurs because parents of designer babies start following trends, all choosing similar traits for their children: tall, athletic build, olive skin, etc. </p><p>Sure, facial traits remain relatively unique, but everyone's more or less equally attractive. And this causes strange changes to sexual preferences.</p><p>"In a society of sexual equals, they start looking for other differentiators," he said, noting that violet-colored eyes become a rare trait that genetically engineered humans find especially attractive in the series.</p><p>But what about sexual relationships between genetically engineered humans and "normal" people? In the "Genetic Pressure" series, many "normal" people want to have kids with (or at least have sex with) genetically engineered humans. But a minority of engineered humans oppose breeding with "normal" people, and this leads to an ideology that considers engineered humans to be racially supreme. </p>
Regulating designer babies<p>On a policy level, there are many open questions about how governments might legislate a world with designer babies. But it's not totally new territory, considering the West's dark history of eugenics experiments.</p><p>In the 20th century, the U.S. conducted multiple eugenics programs, including immigration restrictions based on genetic inferiority and forced sterilizations. In 1927, for example, the Supreme Court ruled that forcibly sterilizing the mentally handicapped didn't violate the Constitution. Supreme Court Justice Oliver Wendall Holmes wrote, "… three generations of imbeciles are enough." </p><p>After the Holocaust, eugenics programs became increasingly taboo and regulated in the U.S. (though some states continued forced sterilizations <a href="https://www.uvm.edu/~lkaelber/eugenics/" target="_blank">into the 1970s</a>). In recent years, some policymakers and scientists have expressed concerns about how gene-editing technologies could reanimate the eugenics nightmares of the 20th century. </p><p>Currently, the U.S. doesn't explicitly ban human germline genetic editing on the federal level, but a combination of laws effectively render it <a href="https://academic.oup.com/jlb/advance-article/doi/10.1093/jlb/lsaa006/5841599#204481018" target="_blank" rel="noopener noreferrer">illegal to implant a genetically modified embryo</a>. Part of the reason is that scientists still aren't sure of the unintended consequences of new gene-editing technologies. </p><p>But there are also concerns that these technologies could usher in a new era of eugenics. After all, the function of a designer baby industry, like the one in the "Genetic Pressure" series, wouldn't necessarily be limited to eliminating genetic diseases; it could also work to increase the occurrence of "desirable" traits. </p><p>If the industry did that, it'd effectively signal that the <em>opposites of those traits are undesirable. </em>As the International Bioethics Committee <a href="https://academic.oup.com/jlb/advance-article/doi/10.1093/jlb/lsaa006/5841599#204481018" target="_blank" rel="noopener noreferrer">wrote</a>, this would "jeopardize the inherent and therefore equal dignity of all human beings and renew eugenics, disguised as the fulfillment of the wish for a better, improved life."</p><p><em>"Genetic Pressure Volume I: Baby Steps"</em><em> by Eugene Clark is <a href="http://bigth.ink/38VhJn3" target="_blank">available now.</a></em></p>
Scientists discover burrows of giant predator worms that lived on the seafloor 20 million years ago.
- Scientists in Taiwan find the lair of giant predator worms that inhabited the seafloor 20 million years ago.
- The worm is possibly related to the modern bobbit worm (Eunice aphroditois).
- The creatures can reach several meters in length and famously ambush their pray.
A three-dimensional model of the feeding behavior of Bobbit worms and the proposed formation of Pennichnus formosae.
Credit: Scientific Reports
Beware the Bobbit Worm!<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="1f9918e77851242c91382369581d3aac"><iframe type="lazy-iframe" data-runner-src="https://www.youtube.com/embed/_As1pHhyDHY?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span>
Answering the question of who you are is not an easy task. Let's unpack what culture, philosophy, and neuroscience have to say.
- Who am I? It's a question that humans have grappled with since the dawn of time, and most of us are no closer to an answer.
- Trying to pin down what makes you you depends on which school of thought you prescribe to. Some argue that the self is an illusion, while others believe that finding one's "true self" is about sincerity and authenticity.
- In this video, author Gish Jen, Harvard professor Michael Puett, psychotherapist Mark Epstein, and neuroscientist Sam Harris discuss three layers of the self, looking through the lens of culture, philosophy, and neuroscience.
The father of all giant sea bugs was recently discovered off the coast of Java.
- A new species of isopod with a resemblance to a certain Sith lord was just discovered.
- It is the first known giant isopod from the Indian Ocean.
- The finding extends the list of giant isopods even further.
The ocean depths are home to many creatures that some consider to be unnatural.<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzU2NzY4My9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTYxNTUwMzg0NX0.BTK3zVeXxoduyvXfsvp4QH40_9POsrgca_W5CQpjVtw/img.png?width=980" id="b6fb0" class="rm-shortcode" data-rm-shortcode-id="2739ec50d9f9a3bd0058f937b6d447ac" data-rm-shortcode-name="rebelmouse-image" data-width="1512" data-height="2224" />
What benefit does this find have for science? And is it as evil as it looks?<div class="rm-shortcode" data-media_id="7XqcvwWp" data-player_id="FvQKszTI" data-rm-shortcode-id="8506fcd195866131efb93525ae42dec4"> <div id="botr_7XqcvwWp_FvQKszTI_div" class="jwplayer-media" data-jwplayer-video-src="https://content.jwplatform.com/players/7XqcvwWp-FvQKszTI.js"> <img src="https://cdn.jwplayer.com/thumbs/7XqcvwWp-1920.jpg" class="jwplayer-media-preview" /> </div> <script src="https://content.jwplatform.com/players/7XqcvwWp-FvQKszTI.js"></script> </div> <p>The discovery of a new species is always a cause for celebration in zoology. That this is the discovery of an animal that inhabits the deeps of the sea, one of the least explored areas humans can get to, is the icing on the cake.</p><p>Helen Wong of the National University of Singapore, who co-authored the species' description, explained the importance of the discovery:</p><p>"The identification of this new species is an indication of just how little we know about the oceans. There is certainly more for us to explore in terms of biodiversity in the deep sea of our region." </p><p>The animal's visual similarity to Darth Vader is a result of its compound eyes and the curious shape of its <a href="https://lkcnhm.nus.edu.sg/research/sjades2018/" target="_blank" rel="noopener noreferrer dofollow" style="">head</a>. However, given the location of its discovery, the bottom of the remote seas, it may be associated with all manner of horrifically evil Elder Things and <a href="https://en.wikipedia.org/wiki/Cthulhu" target="_blank" rel="dofollow">Great Old Ones</a>. <em></em></p>
When someone is lying to you personally, you may be able to see what they're doing.
- A study uses motion-capture to assess the physical interaction between a liar and their victim.
- Liars unconsciously coordinate their movements to their listener.
- The more difficult the lie, the more the coordination occurs.
The tell<p>Someone who is lying to your face is likely to copy your motions. The trickier the lie, the truer this is, according to experiments described in the study.</p><p>The researchers offer two possible explanations, both of which have to do with cognitive load. In a <a href="https://www.scimex.org/newsfeed/telling-a-really-big-lie-turns-us-into-copycats" target="_blank">press release</a>, the authors note that "Lying, especially when fabricating accounts, can be more cognitively demanding than truth telling."</p><p>The first hypothesis is that when someone is lying, their brain is simply too occupied with the subterfuge to pay any attention to the control of physical movements. As a result, the unconscious part of the liar's brain controlling movements defaults to the easiest course of action available: It simply imitates the motions of the person they're lying to.</p><p>The second possibility is that the liar's cognitive load deprives a liar of sufficient bandwidth to devise a clever, effective physical strategy. Instead, while lying, their attention is so laser-focused on their listener's reaction that the liar unconsciously parrots it.</p>
Experimental whoppers<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTUxMTc5My9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzNTgwOTY0NX0.3GYcJFPaeUrPE_NXYkadkUKi66IGLLH4wdTk2oo0AiA/img.jpg?width=980" id="77e98" class="rm-shortcode" data-rm-shortcode-id="8f9cd644cf3362f49ba9ad7c96939153" data-rm-shortcode-name="rebelmouse-image" data-width="1440" data-height="954" />
Credit: Niels/Adobe Stock<p>The phenomenon is referred to as "nonverbal coordination," and there is some existing evidence in deception research that it does occur when someone is under a heavy cognitive load. However, that evidence is based on observations of specific body parts and doesn't comprehensively capture whole-body behavior, and little research has mutually tracked both parties' movements in a lying scenario.</p><p>Nonetheless, say the authors, "Nonverbal coordination is an especially interesting cue to deceit because its occurrence relies on automatic processes and is therefore more difficult to deliberately control."</p><p>To track nonverbal coordination, pairs of participants in the study's two experiments were outfitted with motion-capture devices Velcroed to their wrists, heads, and torsos before being seated facing each other across a low table.</p><p>In the first experiment, a dynamic time-warping algorithm analyzed participants movements as they ran through exercises in which one individual told the truth, and then told increasingly difficult lies. In the second experiment, listeners were given instructions that influenced the amount of attention they paid to the liar's movements.</p><p>The researchers found "nonverbal coordination increased with lie difficulty." They also saw that this increase "was not influenced by the degree to which interviewees paid attention to their nonverbal behavior, nor by the degree of interviewer's suspicion. Our findings are consistent with the broader proposition that people rely on automated processes such as mimicry when under cognitive load."</p>