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With the May 1st grand opening to the public of its new building in Manhattan’s Meatpacking District, the Whitney Museum launches a new era not only in the New York City art scene, but also, possibly, in the very world of museums. Thanks to a Renzo Piano-designed new building built, as Whitney Director Adam D. Weinberg put it, “from the inside out” to serve the interests of the art and the patrons first, the new Whitney and its classic collection of American art stretching back to 1900 has drawn excited raves and exasperated rants from critics. Their inaugural exhibition, America Is Hard to See, gathers together long-loved classic works with rarely seen newcomers to create a paradox of old and new to mirror the many paradoxes of the American history the art embodies and critiques by turns. This shock of the new (and old) is the must-see art event of the year.
If you actually look at Facebook's effect on our brains, it’s like taking a drug. The problem, according to Jonathan Harris, is that with software that makes you come back over and over again, you become the product.
Facebook and Twitter enable us to share ideas and discoveries with incredible speed and efficiency. At the same time, there’s a growing awareness that our identities in these virtual spaces are being constrained in ways we’re only beginning to understand. 
Swamped this week. Here’s a post originally published on my personal blog to fill the void.  Like many features of the human condition, the first psychological account of disgust comes […]
Big Think is excited to announce Humanizing Technology, a virtual expo in partnership with Bing, whose goal is to identify new technologies that integrate themselves seamlessly into our lives, capitalize on our unique strengths, and amplify the best of human nature.